Yellow japanned buttercups and star-disked dandelions,——just as we see
them lying in the grass, like sparks that have leaped from the kindling
sun of summer; the profuse daisy-like flower which whitens the fields, to
the great disgust of liberal shepherds, yet seems fair to loving eyes,
with its button-like mound of gold set round with milk-white rays; the
tall-stemmed succory, setting its pale blue flowers aflame, one after
another, sparingly, as the lights are kindled in the candelabra of
decaying palaces where the heirs of dethroned monarchs are dying out;
the red and white clovers; the broad, flat leaves of the plantain,——“the
white man’s foot,” as the Indians called it,——the wiry, jointed stems of
that iron creeping plant which we call “knot-_grass_,” and which loves
its life so dearly that it is next to impossible to murder it with a
hoe, as it clings to the cracks of the pavement;——all these plants, and
many more, she wove into her fanciful garlands and borders.——On one of
the pages were some musical notes. I touched them from curiosity on a
piano belonging to one of our boarders. Strange! There are passages that
I have heard before, plaintive, full of some hidden meaning, as if they
were gasping for words to interpret them. She must have heard the strains
that have so excited my curiosity, coming from my neighbor’s chamber. The
illuminated border she had traced round the page that held these notes
took the place of the words they seemed to be aching for. Above, a long
monotonous sweep of waves, leaden-hued, anxious and jaded and sullen,
if you can imagine such an expression in water. On one side an Alpine
_needle_, as it were, of black basalt, girdled with snow. On the other
a threaded waterfall. The red morning-tint that shone in the drops had
a strange look,——one would say the cliff was bleeding;——perhaps she did
not mean it. Below, a stretch of sand, and a solitary bird of prey, with
his wings spread over some unseen object.——And on the very next page
a procession wound along, after the fashion of that on the title-page
of Fuller’s “Holy War,” in which I recognized without difficulty
every boarder at our table in all the glory of the most resplendent
caricature,——three only excepted,——the Little Gentleman, myself, and one
other.
Public-domain text, read in full here on John Shaqi.
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