Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
That is why one rather gets impatient with him. He feels he is superior,
and feels he ought _not_ to feel so, and is therefore rather snobbish,
and at the same time a little apologetic. Which is surely tiresome.
If a man feels superior, he should have it out with himself. "Do I feel
superior because I _am_ superior? Or is it just the snobbishness of
class, or education, or money?"
Class, education, money won't make a man superior. But if he's just
_born_ superior, in himself, there it is. Why deny it?
It is a nasty sight to see the Effinghams putting themselves at the
mercy of a Dodge, just because of a mere idea or ideal Fools. They ruin
more than they know. Because at the same time they are snobbish.
Septimus at the court of King Arthur.
Septimus: Hello, Arthur! Pleased to meet you. By the way, what's all
that great long sword about?
Arthur: This is Excalibur, the sword of my knighthood and my kingship.
Septimus: That so! We're all equal in the sight of God, you know, Arthur.
Arthur: Yes.
Septimus: Then I guess it's about time I had that yard-and-a-half of
Excalibur to play with. Don't you think so? We're equal in the sight of
God, and you've had it for quite a while.
Arthur: Yes, I agree. (Hands him Excalibur.)
Septimus (prodding Arthur with Excalibur): Say, Art, which is your fifth
rib?
Superiority is a sword. Hand it over to Septimus, and you'll get it back
between your ribs.--The whole moral of democracy.
But there you are. Eve Effingham had pinned herself down on the _Contrat
Social_, and she was prouder of that pin through her body than of any
mortal thing else. Her IDEAL. Her IDEAL of DEMOCRACY.
When America set out to destroy Kings and Lords and Masters, and the
whole paraphernalia of European superiority, it pushed a pin right
through its own body, and on that pin it still flaps and buzzes and
twists in misery. The pin of democratic equality. Freedom.
There'll never be any life in America till you pull the pin out and
admit natural inequality. Natural superiority, natural inferiority. Till
such time, Americans just buzz round like various sorts of propellers,
pinned down by their freedom and equality.
That's why these white novels of Fenimore Cooper are only historically
and sardonically interesting. The people are all pinned down by some
social pin, and buzzing away in social importance or friction, round and
round on the pin. Never real human beings. Always things pinned down,
choosing to be pinned down, transfixed by the idea or ideal of equality
and democracy, on which they turn loudly and importantly, like
propellers propelling. These States. Humanly, it is boring. As a
historic phenomenon, it is amazing ludicrous and irritating.
If you don't pull the pin out in time, you'll never be able to pull it
out. You must turn on it for ever, or bleed to death.
"Naked to the waist was I
And deep within my breast did lie,
Though no man any blood could spy,
The truncheon of a spear--"
Is it already too late?
Public-domain text, read in full here on John Shaqi.
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