Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
that he never sailed through it. Probably like most travellers coming
from the East he reached Italy by way of Brundisium. Of Sardinia he has
given a somewhat full description, but without implying that he had
visited it. Sicily, if we may judge by a grave blunder he makes in
speaking of it, he never saw.
[Sidenote: Aim of
Pausanias’s
work.]
The aim that Pausanias had in writing his _Description of Greece_ is
nowhere very fully or clearly stated by him. His book has neither head
nor tail, neither preface nor epilogue. At the beginning he plunges into
the description of Attica without a word of introduction, and at the end
he breaks off his account of Ozolian Locris with equal abruptness. There
is reason to believe that the work is unfinished, for he seems to have
intended to describe Opuntian Locris, but this intention was never
fulfilled. However, from occasional utterances as well as from the
general scope and plan of the book, we can gather a fairly accurate
notion of the writer’s purpose. Thus in the midst of his description of
the Acropolis of Athens he suddenly interposes the remark, “But I must
proceed, for I have to describe the whole of Greece,” as if the thought
of the wide field he had to traverse jogged him, as well it might, and
bade him hasten. Again, after bringing his description of Athens and
Attica to an end, he adds: “Such are, in my opinion, the most famous of
the Athenian traditions and sights: from the mass of materials I have
aimed from the outset at selecting the really notable.” Later on, before
addressing himself to the description of Sparta he explains his purpose
still more definitely and emphatically: “To prevent misconceptions, I
stated in my _Attica_ that I had not described everything, but only a
selection of the most memorable objects. This principle I will now
repeat before I proceed to describe Sparta. From the outset I aimed at
sifting the most valuable traditions from out of the mass of
insignificant stories which are current among every people. My plan was
adopted after mature deliberation, and I will not depart from it.”
Again, after briefly narrating the history of Phlius, he says: “I shall
now add a notice of the most remarkable sights,” and he concludes his
description of Delphi with the words: “Such were the notable objects
left at Delphi in my time.” In introducing his notice of the honorary
statues at Olympia he is careful to explain that he does not intend to
furnish a complete catalogue of them, but only to mention such as were
of special interest either for their artistic merit or for the fame of
the persons they portrayed.
[Sidenote: Method of
the work.]
Public-domain text, read in full here on John Shaqi.
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