Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
From these and a few more passages of the same sort it seems clear that
Pausanias intended to describe all the most notable objects and to
narrate all the most memorable traditions which he found existing or
current in the Greece of his own time. It was a vast undertaking, and we
need not wonder that at the outset he should have felt himself oppressed
by the magnitude of it, and that consequently in the first book, dealing
with Attica, his selection of notable objects should be scantier and his
description of them slighter than in the later books. It was not only
that he was bewildered by the multitude of things he had to say, but
that he had not quite made up his mind how to say them. He was groping
and fumbling after a method. As the work proceeded, he seems to have
felt himself more at ease; the arrangement of the matter becomes more
systematic, the range of his interests wider, the descriptions more
detailed, his touch surer. Even the second book shows in all these
respects a great advance on the first. To mention two conspicuous
improvements, he has now definitely adopted the topographical order of
description, and he prefaces his account of each considerable city with
a sketch of its history. In the first book, on the other hand, an
historical introduction is wholly wanting, and though Athens itself is
on the whole described in topographical order, the rest of Attica is
not. Only with the description of the Sacred Way which led from Athens
to Eleusis does Pausanias once for all grasp firmly the topographical
thread as the best clue to guide him and his readers through the
labyrinth. Throughout the rest of his work the general principle on
which he arranges his matter is this. After narrating in outline the
history of the district he is about to describe, he proceeds from the
frontier to the capital by the nearest road, noting anything of interest
that strikes him by the way. Arrived at the capital he goes straight to
the centre of it, generally to the market-place, describes the chief
buildings and monuments there, and then follows the streets, one after
the other, that radiate from the centre in all directions, recording the
most remarkable objects in each of them. Having finished his account of
the capital he describes the surrounding district on the same principle.
He follows the chief roads that lead from the capital to all parts of
the territory, noting methodically the chief natural features and the
most important towns, villages, and monuments that he meets with on the
way. Having followed the road up till it brings him to the frontier, he
retraces his steps to the capital, and sets off along another which he
treats in the same way, until in this manner he has exhausted all the
principal thoroughfares that branch from the city. On reaching the end
of the last of them he does not return on his footsteps, but crosses the
boundary into the next district, which he then proceeds to describe
after the same fashion.
Public-domain text, read in full here on John Shaqi.
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