Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,' — John Shaqi
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
So much for the contents of Pausanias’s book. Before we enquire into the
character of the writer and the sources from which he drew his materials
it may be instructive to compare his work with the fragments of another
ancient description of Greece which have come down to us. The comparison
will help us to understand better both what we have gained and what we
have lost by the idiosyncrasies of Pausanias. The fragments commonly
pass under the name of the eminent Messenian writer Dicaearchus, a pupil
of Aristotle; but from internal evidence we may conclude that the work
of which they formed part was written by a later author at some time
between 164 B.C. and 86 B.C. The nature of the work may be gathered from
the following free translation or paraphrase, which is also slightly
abridged.
“ The road to Athens is a pleasant one, running between cultivated
fields the whole way. The city itself is dry and ill supplied with
water. The streets are nothing but miserable old lanes, the houses mean,
with a few better ones among them. On his first arrival a stranger could
hardly believe that this is the Athens of which he has heard so much.
Yet he will soon come to believe that it is Athens indeed. A Music Hall,
the most beautiful in the world, a large and stately theatre, a costly,
remarkable, and far-seen temple of Athena called the Parthenon rising
above the theatre, strike the beholder with admiration. A temple of
Olympian Zeus, unfinished but planned on an astonishing scale; three
gymnasiums, the Academy, Lyceum, and Cynosarges, shaded with trees that
spring from greensward; verdant gardens of philosophers; amusements and
recreations; many holidays and a constant succession of spectacles;—all
these the visitor will find in Athens.
“ The products of the country are priceless in quality but not too
plentiful. However, the frequency of the spectacles and holidays makes
up for the scarcity to the poorer sort, who forget the pangs of hunger
in gazing at the shows and pageants. Every artist is sure of being
welcomed with applause and of making a name; hence the city is crowded
with statues.
“ Of the inhabitants some are Attic and some are Athenian. The former
are gossiping, slanderous, given to prying into the business of
strangers, fair and false. The Athenians are high-minded,
straightforward, and staunch in friendship. The city is infested by a
set of scribblers who worry visitors and rich strangers. When the people
catches the rascals, it makes an example of them. The true-born
Athenians are keen and critical auditors, constant in their attendance
at plays and spectacles. In short, Athens as far surpasses all other
cities in the pleasures and conveniences of life as they surpass the
country. But a man must beware of the courtesans, lest they lure him to
ruin. The verses of Lysippus run thus:
Public-domain text, read in full here on John Shaqi.
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