This shifting work was chiefly done, perhaps not quite consciously, by the historical school which followed upon that of Mendelssohn and his first successors. The historical school, which is still in the ascendant, comprises many of the best Jewish writers who either by their learning or by their ecclesiastical profession as Rabbis and preachers in great communities have acquired some important position among their brethren. The men who have inaugurated this movement were Krochmal (1785‐1841), Rapoport (1790‐1867), and Zunz (1794‐1886). It is not a mere coincidence that the first representatives of the historical school were also the first Jewish scholars who proved themselves more or less ready to join the modern school of Bible Criticism, and even to contribute their share to it. The first two, Krochmal and Rapoport, early in the second quarter of this century accepted and defended the modern view about a second Isaiah, the post‐ exilic origin of many Psalms, and the late date of Ecclesiastes; whilst Zunz, who began (in 1832) with denying the authenticity of Ezekiel, concluded his literary career (1873) with a study on the Bible (_Gesammelte __ Schriften_, i. pp. 217‐290), in which he expressed his view “that the Book of Leviticus dates from a later period than the Book of Deuteronomy, later even than Ezekiel, having been composed during the age of the Second Temple, when there already existed a well‐established priesthood which superintended the sacrificial worship.” But when Revelation or the Written Word is reduced to the level of history, there is no difficulty in elevating history in its aspect of Tradition to the rank of Scripture, for both have then the same human or divine origin (according to the student’s predilection for the one or the other adjective), and emanate from the same authority. Tradition becomes thus the means whereby the modern divine seeks to compensate himself for the loss of the Bible, and the theological balance is to the satisfaction of all parties happily readjusted.