Studies in the Poetry of Italy, Part II. Italian — John Shaqi
Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
Among the various causes which may be assigned for this phenomenon, the
most important undoubtedly is the fact that the Italians have always
looked upon themselves as of one race with the ancient Romans, and the
heirs of all the glorious traditions attached to the names of the
heroes, poets, and artists of the Eternal City. In similar manner they
regarded Latin as their true mother-tongue, of which the vernacular was
a mere corruption. Hence it came to pass that all the literature which
we find in Italy before the thirteenth century, and a large proportion
of that written in the fourteenth, fifteenth, and sixteenth centuries,
was in Latin and not in Italian, which seemed to the writers of those
days unworthy of forming the medium of poetry and learning.
This feeling of kinship was a natural one for those who lived in the
same cities in which the Romans had lived, surrounded by the imposing
ruins of the ancient world, speaking a language, which although
essentially a modern one, with all its characteristics, was still nearer
to Latin than French, Provençal, or Spanish. For these men the
irruptions of the northern barbarians, the Goths, the Lombards, and
later the Normans, were only a break in the continuity of the historical
development of the Latin race in Italy. This spirit--which explains the
popularity and temporary success of Arnold of Brescia, in the twelfth
century, and of Cola di Rienzi, in the fourteenth, in their efforts to
restore the old forms of the Roman republic--must be kept constantly in
mind by the student, not only of the political history of Italy, but of
its literature and art as well.
Yet this natural feeling does not rest altogether on fact. The Italians
of to-day are not the pure descendants of the ancient Romans, but, like
the other so-called Latin races, are of mixed origin, more nearly
related, it is true, to the Romans, yet in general formed in the same
ethnical way as their neighbors.
With the downfall of Rome, Italy, like France and Spain, was overrun by
the hordes of German tribes, who, leaving the cold and inhospitable
regions of the North sought for more congenial climes in the sunny
South. As the Franks in France, the Visigoths and Vandals in Spain, so
the Ostrogoths in Italy, toward the end of the fifth century, conquered
and colonized the country, and under Theodoric restored for a brief time
an appearance of prosperity. In the sixth century came the Lombards, and
after destroying and devastating city and country as far south as Rome,
and even beyond, finally settled in upper Italy now known from them as
Lombardy. Several centuries later came the Normans from France and
conquered Sicily and the southern extremity of the peninsula. All these
peoples were of German origin, and being gradually merged with the
conquered race, formed what we now call the Italian people.[1]
Public-domain text, read in full here on John Shaqi.
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