Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
It goes without saying that the Latin language was profoundly affected
by all these changes. Although the German invaders gradually adopted the
civilization of the conquered land, including the language, yet they
could not help influencing this civilization and impressing it with
their own individual stamp.
With regard to the language, we must bear in mind that even in the time
of Vergil and Cicero, Latin had two forms, one the elegant and
artificial language of literature, and the other the idiom of the common
people, or the vernacular. Many of the peculiar phonetic, grammatical,
and syntactical phenomena which characterize the modern Romance
languages existed in this so-called "vulgar Latin," long before the fall
of Rome, the irruption of the northern barbarians, and the consequent
formation of new nations and new tongues.
All the Romance languages have been derived from this "vulgar Latin,"
each one being specially moulded by its peculiar environments, and by
the various German, Celtic, and other dialects by which it was
influenced. Thus the "vulgar Latin" imported by Roman colonists into
Gaul, and influenced by the Franks, produced the French language: in the
same way "vulgar Latin" plus the various local and foreign influences to
which it was subjected in Italy, produced the various dialects of that
country--Venetian, Tuscan, Neapolitan, and Sicilian. While literary
Latin, although becoming more and more corrupt as the years went by,
continued in Italy to be the language of the church, of the courts of
law, and of what literature there was, the vernacular--_i. e._, the
various dialects--was used in all the operations of daily life.
We have evidence that this popular tongue must have been in existence as
far back as the seventh century, for in Latin public documents dating
from that period on, we find occasional words and fragments of phrases,
especially the names of persons and places, which are marked by the
special characteristics of the Italian language. These expressions,
embedded in the Latin documents, like pebbles in sand, become more and
more numerous as we approach the tenth century, until finally, in the
year 960, we meet for the first time with a complete Italian sentence,
in a legal document concerning the boundaries of a certain piece of
property in Capua; four years later we find almost the same formula in a
similar document. Toward the end of the eleventh century certain
frescoes were painted in the lower church of Saint Clement in Rome,
where they may still be seen, and among them is one beneath which is
found an explanation in Italian.
Public-domain text, read in full here on John Shaqi.
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