Studies in the South and West, with Comments on CanadaWarner, Charles Dudley
History
Studies in the South and West, with Comments on Canada
Warner, Charles Dudley
Canada -- Description and travel; United States -- Description and travel
I once lodged in the old French quarter in a house kept by two maiden
sisters, only one of whom spoke English at all. They were refined, and
had the air of decayed gentlewomen. The one who spoke English had the
vivacity and agreeability of a Paris landlady, without the latter’s
invariable hardness and sharpness. I thought I had found in her pretty
mode of speech the real Creole dialect of her class. “You are French,” I
said, when I engaged my room.
“No,” she said, “no, m’sieu, I am an American; we are of the United
States,” with the air of informing a stranger that New Orleans was now
annexed.
“Yes,” I replied, “but you are of French descent?”
“Oh, and a little Spanish.”
“Can you tell me, madame,” I asked, one Sunday morning, “the way to
Trinity Church?”
“I cannot tell, m’sieu; it is somewhere the other side; I do not know
the other side.”
“But have you never been the other side of Canal Street?”
“Oh yes, I went once, to make a visit on a friend on New-Year’s.”
I explained that it was far uptown, and a Protestant church.
“M’sieu, is he Cat’olic?”
“Oh no; I am a Protestant.”
“Well, me, I am Cat’olic; but Protestan’ o’ Cat’olic, it is ‘mos’ ze
same.”
This was purely the instinct of politeness, and that my feelings might
not be wounded, for she was a good Catholic, and did not believe at all
that it was “‘mos’ ze same.”
It was Exposition year, and then April, and madame had never been to the
Exposition. I urged her to go, and one day, after great preparation
for a journey to the other side, she made the expedition, and returned
enchanted with all she had seen, especially with the Mexican band. A new
world was opened to her, and she resolved to go again. The morning of
Louisiana Day she rapped at my door and informed me that she was going
to the fair. “And”—she paused at the door-way, her eyes sparkling with
her new project—“you know what I goin’ do?”
“No.”
“I goin’ get one big bouquet, and give to the leader of the orchestre.”
“You know him, the leader?”
“No, not yet.”
I did not know then how poor she was, and how much sacrifice this would
be to her, this gratification of a sentiment.
Public-domain text, read in full here on John Shaqi.
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