The glimpses of street life are always entertaining, because unconscious, while full of character. It may be a Creole court-yard, the walls draped with vines, flowers blooming in bap-hazard disarray, and a group of pretty girls sewing and chatting, and stabbing the passer-by with a charmed glance. It may be a cotton team in the street, the mules, the rollicking driver, the creaking cart. It may be a single figure, or a group in the market or on the levee—a slender yellow girl sweeping up the grains of rice, a colored gleaner recalling Ruth; an ancient darky asleep, with mouth open, in his tipped-up two-wheeled cart, waiting for a job; the “solid South,” in the shape of an immense “aunty” under a red umbrella, standing and contemplating the river; the broad-faced women in gay bandannas behind their cake-stands; a group of levee hands about a rickety table, taking their noonday meal of pork and greens; the blind-man, capable of sitting more patiently than an American Congressman, with a dog trained to hold his basket for the pennies of the charitable; the black stalwart vender of tin and iron utensils, who totes in a basket, and piled on his head, and strung on his back, a weight of over two hundred and fifty pounds; and negro women who walk erect with baskets of clothes or enormous bundles balanced on their heads, smiling and “jawing,” unconscious of their burdens. These are the familiar figures of a street life as varied and picturesque as the artist can desire. New Orleans amuses itself in the winter with very good theatres, and until recently has sustained an excellent French opera. It has all the year round plenty of cafes chantants, gilded saloons, and gambling-houses, and more than enough of the resorts upon which the police are supposed to keep one blind eye. “Back of town,” towards Lake Pontchartrain, there is much that is picturesque and blooming, especially in the spring of the year—the charming gardens of the Jockey Club, the City Park, the old duelling-ground with its superb oaks, and the Bayou St. John with its idling fishing-boats, and the colored houses and plantations along the banks—a piece of Holland wanting the Dutch windmills. On a breezy day one may go far for a prettier sight than the river-bank and esplanade at Carrollton, where the mighty coffee-colored flood swirls by, where the vast steamers struggle and cough against the stream, or swiftly go with it round the bend, leaving their trail of smoke, and the delicate line of foliage against the sky on the far opposite shore completes the outline of an exquisite landscape. Suburban resorts much patronized, and reached by frequent trains, are the old Spanish Fort and the West End of Lake Pontchartrain. The way lies through cypress swamp and palmetto thickets, brilliant at certain seasons with fleur-de-lis. At each of these resorts are restaurants, dancing-halls, promenade-galleries, all on a large scale; boat-houses,