There is nothing more instructive in this connexion than the talk of
children among themselves about words. They build up quaint speculations
about meanings, and try their hand bravely at definitions. Here is an
example: A boy of five was instructing his comrade as to the puzzling
word ‘home-sick’. He did it in quite a scientific fashion. “It’s like
sea-sick, you know: you are sea-sick when you are sick at sea, and so
you’re home-sick when you’re sick at home”.
There is something of this same desire to get behind words in children’s
word-play, as we call it, their discovery of odd affinities in verbal
sounds, and their punning. Though no doubt this contains a genuine
element of childish fun, it betokens a more serious trait also, an
interest in word-sounds as such, and a curiosity about their origin and
purpose. It is difficult for grown-up people to go back in thought to
the attitude of the child-mind towards verbal sounds. Just as children
show ‘the innocence of the eye’ in seeing the colours of objects as they
are and not as our habits of interpretation tend to make them, so they
show an innocence of the ear, catching the intrinsic sensuous qualities
of a word or a group of words, in a way which has become impossible for
us.
This half-playful, half-serious scrutiny of word-sounds leads to the
attempt to find by analysis and analogy a familiar meaning in strange
words. For example, a little boy about four years old heard his mother
speak of nurse’s neuralgia, from which she had been suffering for some
time. He thereupon exclaimed, ‘I don’t think it’s _new_ ralgia, I call
it _old_ ralgia’. A child called his doll ‘Shakespeare’ because its
spear-like legs could be shaken. Another boy of three explained
‘gaiters’ as things ‘to go out of the gate with’. Another said that the
‘Master’ which he prefixed to his name meant that he was master of his
dog. A little girl in her third year called ‘anchovies’ ‘ham-chovies’
‘mermaid’ ‘worm-maid,’ ‘whirlwind’ ‘world-wind,’ ‘gnomes’ ‘no-mans’
(un-menschen), taking pleasure apparently in bringing some familiar
element—even when this seems to other ears at least not very
explanatory—into the strange jumble of word-sound that surrounded her. A
child may know that he is ‘fooling’ in such cases, yet the word-play
brings a certain satisfaction, which is at least akin to the pleasure of
the older linguist.
Public-domain text, read in full here on John Shaqi.
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