We find when the child grows and can give an account of what he notes that his observation, while often surprisingly minute in particular directions, is highly restricted as to its directions, being narrowly confined within the limits of a few dominant attractions. Thus a child will sometimes be so impressed with the colour of an object as almost to ignore its form. A little girl of eighteen months, who knew lambs and called them ‘lammies,’ on seeing two black ones in a field among some white ones called out, “Eh! doggie, doggie!” The likeness of colour to the black dog overpowered the likeness in form to the other lambs close by. Within the limits of form-perception again, we may remark the tendency to a one-sided mode of observing things which has in it something of an abstract quality. For the child C. the pointed head was the main essential feature of the dog, and he recognised this in a bit of biscuit. We shall find further examples of this abstract observation when we come to consider children’s drawings. This same partiality of observation comes out very clearly in a good deal of the early assimilation or apperception already referred to. The reason why it is so easy for a child to superimpose a fanciful analogy on an object of sense, is that his mind is untroubled by all the complexity of this object. It fastens on some salient feature of supreme attractiveness or interest, and flies away on the wings of this, to what seems to us a far-off resemblance. This detaching or selective activity in children’s observation, which in a manner is a defect, is also a point of superiority. It has this in common with the observation of the poet, that it is wholly engrossed with what is valuable. Thus one main feature of the eye-lid is certainly that it opens and closes like a curtain; and it is its resemblance to the mysterious curtain shutting out the daylight, which makes it a matter of absorbing interest. Here, then, we have, as we shall see more fully presently, a true germ of thought-activity embedded in the very process of childish observation and recognition. For thought is precisely a more methodical process of bringing the concrete object into its relations to other things.