English poetry -- 20th century -- History and criticism
That is why this poet was not included in the Irish chapter where, if
the thing were possible at all, one would have hoped to catch him. There
are many fine racial strands out of which you would think a net could be
woven. They appear to enmesh an Irishman and an Irish poet. We think we
recognize that eye, critical and appreciative, for a woman--or a horse.
We believe we know that wit, with a touch of satire and another touch of
merry malice. We are surely not mistaken in that adoration of beauty and
its converse hatred of ugliness; while we have no doubt whatever about
that passion for liberty.
But the true poet will transcend his nation, as he does his manhood, at
times of purest inspiration; and Mr Stephens has those happy
seasons--happy, surely, for those to whom he sings, though, doubtless,
each with its own agony to him. In many of the slighter poems, however,
all of them good and most of them quite beautiful, the signs of
nationality are obvious. They are comically clear, in fact, proceeding
as they do directly from the quick, keen perception of the Comic Spirit
itself. Only a blessed simpleton whose name was Patsy, could see the
angel who walks along the sky sowing the poppyseed. The word 'Sootherer'
sounds like English; and indeed individuals of the species are not
unknown in this country. But they, like the word, are native to the land
of the born lover. Has anybody heard of a Saxon who could fit names like
these to his sweetheart--Little Joy, Sweet Laughter, Shy Little Gay
Sprite? or who could woo her with such a ripple of flattery--
... You are more sweetly new
Than a May moon: you are my store,
My secret and my treasure and the pulse
Of my heart's core.
But, on the other hand, no mere English boy could hope to match the glib
rage of spite in this disappointed youth--
You'll go--then listen, you are just a pig,
A little wrinkled pig out of a sty;
Your legs are crooked and your nose is big,
You've got no calves, you have a silly eye,
I don't know why I stopped to talk to you,
I hope you'll die.
Again, no Jack Robinson, though the dull smother that he would call his
imagination were fired by plentiful beer, could ever have conceived of
"What Tomas an Buile Said in a Pub"; or could have accompanied Mac Dhoul
on his impish adventure into heaven, to be twitched off God's throne by
a hand as large as a sky, and sent spinning through the planets--
Scraping old moons and twisting heels and head
A chuckle in the void....
Public-domain text, read in full here on John Shaqi.
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