English poetry -- 20th century -- History and criticism
And in that Heaven of all their wish,
There shall be no more land, say fish.
But, on the whole, one loves this work best when its genius is not shorn
by the sterile spirit of derision. Its charm is greatest when the
creative energy of it is outpoured through what is called personality.
Never was a poet more lavish in the giving of himself, yielding up a
rich and complex individuality with engaging candour. And poems will be
found in which all its qualities are blended in a soft and intricate
harmony. Passion is subdued to tenderness: imagination stoops to
fantasy: thought, in so far as it is not content merely to shape the
form of the work, is bent upon ideas that are wistful, or sad or ironic.
Humour, standing aloof and quietly chuckling, will play mischievous
pranks with people and things. A satirical imp will dart into a line and
out again before you realize that he is there; and all the time a
clear-eyed, observing spirit will be watching and taking note with
careful accuracy.
Of such is "The Old Vicarage, Grantchester," in which the poet is
longing for his home in Cambridgeshire as he sits outside a café in
Berlin. The poem is therefore a cry of homesickness, a modern "Oh, to be
in England!" But there is much more in it than that; it is not merely a
wail of emotion. The lyrical reverie which recalls all the sweet natural
beauty that he is aching to return to is closely woven with other
strands. So that one may catch half a dozen incidental impressions which
pique the mind with contrasting effects and yet contribute to the
prevailing sense of intolerable desire for home. Thus, when the poet has
swung off into a sunny dream of the old house and garden, the watching
sense of fact suddenly jogs him into consciousness that he is not there
at all, but in a very different place. And that wakens the satiric
spirit, so that an amusing interlude follows, summing up by implication
much of the contrast between the English and German minds:
... _there_ the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where _das Betreten's_ not _verboten_.
.....
=eithe genoimên= ... would I were
In Grantchester, in Grantchester!--
Public-domain text, read in full here on John Shaqi.
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