English poetry -- 20th century -- History and criticism
If I were gusty April now,
How I would blow at laughing Rose;
I'd make her ribbons slip their knots,
And all her hair come loose.
If I were merry April now,
How I would pelt her cheeks with showers;
I'd make carnations rich and warm,
Of her vermilion flowers.
Since she will laugh in April's face,
No matter how he rains or blows--
Then O that I wild April were,
To play with laughing Rose.
The gaiety of that, considered simply in its lightness of heart, its
verbal and metrical felicity, is a delightful thing. And it recurs so
frequently as to make Mr Davies quite the jolliest of modern poets. So
if we are content to stop there, if we are not teased by an instinct to
relate things, and see all round them, we may make holiday pleasantly
enough with this part of the poet's work. The method is not really
satisfying, however, and the inclusion of the more personal pieces adds
a deeper value to the study. Not merely because the facts of a poet's
life are interesting in themselves, but because here especially they are
illuminating, explanatory, suggestive: connecting and unifying the
philosophical interest of the work, and supplying a background,
curiously impressive, for its art.
For that reason one would refuse to pass over in silence Mr Davies'
first book of poems, _The Soul's Destroyer_, published in 1907. Not that
it is perfect poetry: indeed, I doubt whether one really satisfying
piece could be chosen from the whole fourteen. But it has deep human
interest. The book is slim, sombre, almost insignificant in its paper
wrappers. But its looks belie it. It is, in fact, nothing less than a
flame of courage, a shining triumph of the spirit of humanity. Mr Shaw
has made play with the facts of this poet's life, partly because 'it is
his nature so to do,' and partly, one suspects, to hide a deeper
feeling. But play as you will with the willing vagabondage, the happy
irresponsibility, the weakness and excess and error of a wild youth, you
will only film the surface of the tragedy. Underneath will remain those
sullen questions--what is life about, what are our systems and our laws
about, that a human creature and one with the miraculous spark of genius
in him, is chased hungry and homeless up and down his own country,
tossed from continent to continent and thrown up at last, broken and all
but helpless, to be persecuted by some contemptible agent of charity and
to wander from one crowded lodging-house to another, seeking vainly for
a quiet corner in which to make his songs. The verses in _The Soul's
Destroyer_ were written under those conditions; and by virtue of that it
would seem that the drab little volume attains to spiritual
magnificence.
Public-domain text, read in full here on John Shaqi.
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