Indeed, the transcendency of his poetical distinctions has tended to overshadow his other claims and uses. As settlers in the very richest soils, saturated with the fruits which they almost spontaneously yield, rarely turn their whole powers to account, so they, that are taught simply to repair to Homer for his poetry, find in him, so considered, such ample resources for enjoyment, that, unless summoned onwards by a distinct and separate call, they are little likely to travel further. It was thus that Lord Bacon’s brilliant fame as a philosopher diverted public attention from his merits as a political historian.[7] It was thus, to take a nearer instance, that most readers of Dante, while submitting their imaginations to his powerful sway, have been almost wholly unconscious that they were in the hands of one of the most acute and exact of metaphysicians, one of the most tender, earnest, and profound among spiritual writers. Here, indeed, the process has been simpler in form; for the majority, at least, of readers, have stopped with the striking, and, so to speak, incorporated imagery of the ‘Inferno,’ and have not so much as read the following, which are also the loftier and more ethereal, portions of the ‘Divina Commedia.’ It may be enough for Homer’s fame, that the consent of mankind has irrevocably assigned to him a supremacy among poets, without real competitors or partners, except Dante and Shakspeare; and that, perhaps, if we take into view his date, the unpreparedness of the world for works so extraordinary as his, the comparative paucity of the traditional resources and training he could have inherited, he then becomes the most extraordinary, as he is also the most ancient, phenomenon in the whole history of purely human culture. In particular points he appears to me, if it be not presumptuous to say so much, to remain to this day unquestionably without an equal in the management of the poetic art. If Shakspeare be supreme in the intuitive knowledge of human nature and in the rapid and fertile vigour of his imagination, if Dante have the largest grasp of the ‘height and depth’ of all things created, if he stand first in the power of exhibiting and producing ecstasy, and in the compressed and concentrated energy[8] of thought and feeling, Homer, too, has his own peculiar prerogatives. Among them might perhaps be placed the faculty of high oratory; the art of turning to account epithets and distinctive phrases; the production of indirect or negative effects; and the power of creating and sustaining dramatic interest without the large use of wicked agents, in whom later poets have found their most indispensable auxiliaries. But all this is not enough for us who read him. If the works of Homer are, to letters and to human learning, what the early books of Scripture are to the entire Bible and to the spiritual life of man; if in them lie the beginnings of the intellectual life of the world, then we must still recollect