On the one hand, then, it may be readily admitted that the Homeric poems were exposed, before they were reduced to writing, to the powerful and various action of disintegrating causes. Among these we may name neglect, inability to cope with the real difficulties of their transmission, the personal vanity of the rhapsodists, and the local vanity of communities. But I think we have also disclosed to us, both by the fragmentary notices of the history of the poems if taken in their collective effect, and by the state of things in and upon which the Alexandrian critics laboured, the operation of an immense amount of restorative counter-agency. All chance of our arriving at a sober judgment must depend upon our duly weighing these two sets of forces in their relation to one another. There were indeed tendencies, which may well be called irresistible, to aberrations from the traditional standard; but there were barriers also insurmountable, which seem to have confined those aberrations within certain limits. They could not proceed beyond a given point without awakening the consciousness, that Homer, the priceless treasure of Greece, and perhaps the first source of its keener consciousness of nationality, was in danger of being disfigured, and deformed, and so lost; and that sense, when once awakened, without doubt generated such reactions as we find exemplified in the proceedings of Pisistratus. We may indeed derive directly, from the force of the destroying element, when viewed in detail, the strongest proof that there must have been an original standard, by recurrence to which its ravages could from time to time be repaired. For if that element had worked without such means of correction, I do not see how we could now have been in possession of an Iliad and an Odyssey. As with regard to religions after they are parted from their source, the tendency would have been to continually-increasing divergence. The dissimilarities arising from omission, alteration, and interpolation, would have grown, so as to embrace larger and larger portions of the poems, and at this day, instead of merely questioning this or that line in a few places, and comparing this with that reading, we should have been deliberating among a dozen Iliads and a dozen Odysseys, to discover which were the true.