Hymns, Sumerian; Sumerian language -- Texts; Sumerians -- Religion
The sixth song begins at Obv. V 11, and probably terminated in the broken
passage at the top of Rev. I. Its length was also unusual, having at least
forty-five lines. This song was edited on a small tablet Ni. 4584 on which
the beginning and the end of the section are preserved. It has been
published as No. 10 in _Sumerian Liturgical Texts_, Vol. X of the
Publications of the Babylonian Section. Only a few lines at the
commencement of this song have been translated here. From this point
onward the language of the liturgy presents such difficulty that the
writer has been unable to offer a translation.
Section seven probably ended at the top of Rev. II and refers throughout
to the mother goddess who weeps over the ruins of Ur. The eighth song
probably began at the top of Rev. II and ended perhaps at the top of Rev.
III. It is another doleful ode to the weeping mother and many of its lines
are clear and translatable. The entire song is marked by sorrowful
refrains: _me-li-e-a uru-mu nu-me-a_, Oh woe is me, my city is no
more.(242) _a-uru-mu im-me_, How long? oh my city I cry.(243) _me-li-e-a
uru-ta è-a-mèn_, Oh woe is me, from the city I depart.(244) _dingir
ga-ša-an-gal-mèn é-ta è-a-mèn_, Great divine queen am I, from the temple I
depart.(245) _er-gig ni-šéš-šéš_, She weeps bitterly.(246)
Only the ends of lines of a large part of the ninth song are preserved in
Rev. III. The tenth song probably occupied most of the space in Rev. IV.
Speculation concerning the number of songs in the entire liturgy is
limited to the number of about 11-13. The liturgy was, therefore,
extremely long, attaining to a content of about 500 lines. We know from
the single tablet variant of the sixth song that another edition of this
series existed in which small tablets carried each a single _kišub_. A
similar condition of editorial redaction is revealed by ZIMMERN, KL. 200,
a small tablet which contains the twelfth song of a liturgy to the deified
king of Isin, Išme-Dagan.
The historical event referred to in this liturgy is undoubtedly the
destruction of Ur in the time of Ibi-Sin, last of the kings of the Ur
dynasty. This calamity left many traces in the temple songs of Sumer, and
the Sumerian prayer books of Nippur contain other lamentations on the fall
of Ur, written perhaps during the Isin period. The writer has already
published a single column tablet which rehearses the same catastrophe,
mentioning Ibi-Sin himself and naming the Elamites as his captors.(247)
OBVERSE IV
1. _an-ni e-ne-em-bi ba-ra-mu-un-gur_
1. Anu may prevent his word.
2. _d.__Mu-ul-lil-e ni_(_248_)_-šág ģe-ám-bi_
2. Enlil may order kindness.
3. ... _šag-mu ba-ra-be-in-šed-di_
3. And may my heart be at peace from sorrow.
4. [...-]_su-ud arad-na sag ki-ba-da-ab-gál-la_
4.
5. [ ]-_nae-ne-em-súr-ragur-da-bi_
5. [ ] the angry word be prevented.
6. [ ] _ba-da-an-dúr-ru-ne-eš-a_
6.
Public-domain text, read in full here on John Shaqi.
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