French fiction -- 20th century -- Translations into English
But body and mind are twin brothers that do not keep step. In their
double growth there is always one of the two--it is not always the same
one--that loiters on the road while the other gallops on ahead. Marc's
body remained that of a child; and while the spirit roamed about aloft a
cord held him by the foot and brought him down again where it was
pleasant to amuse himself. Then, for want of anything better, he would
condescend to play--he would even play with his whole heart, without
condescension, with the silly little girl. These were happy interludes.
They did not last long. There were too many inequalities between the two
children, not only in their age, nor because she was a girl. Their
temperaments were too different. Odette, who was not pretty, and rather
suggested her father, though she had Annette's eyes and a chubby,
well-rounded figure, with her flattish nose, was a robust, healthy child
whose warmth of feeling did not disturb her physical equilibrium but
seemed the natural overflow of an abounding vitality. She had escaped
all the little ailments of childhood. Marc, on the contrary, had been
stamped by the illness of his first year; and although later the
soundness of his constitution was to come out on top, this struggle of
the organism, in which he was often beaten, had spoiled part of his
childhood. He had remained susceptible to the least chill and was often
checked by slight returns of bronchitis or fever. His self-respect
suffered from this, for all his instincts were those of pride and
strength.
Towards the end of 1911, one year after the reconciliation of the two
sisters, Marc had one of those winter illnesses, complicated by
influenza, that caused a passing anxiety. Odette went to see him when he
was in bed. She had been forbidden to do so for fear of infection, but
she had found a way of slipping into the room one evening when the two
mothers were busy in the next room. She was full of sympathy, and Marc,
who was a little feverish, let himself go as he had never done before.
He was restless.
"What are they saying, Odette?" (He imagined they were hiding from him
the gravity of his illness.)
"I don't know. They don't say anything."
"What does the doctor say?"
"He says it isn't anything."
He was somewhat relieved, but he was still suspicious.
"Is that true? No, it isn't true. They're concealing it from me. . . . I
know very well what I've got."
"What have you got?"
He was silent.
"Marc, what have you got?"
He retreated into a proud and hostile silence. Odette was in agony. She
ended by believing that he was very ill, and her anxiety communicated
itself to him. With that passionate exaggeration of hers which assumed
melodramatic forms she clasped her hands.
"Oh, Marc, I implore you, don't be so ill. I don't want you to die."
Public-domain text, read in full here on John Shaqi.
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