French fiction -- 20th century -- Translations into English
But the career of a mistress is not a sinecure. It requires the
expenditure of a kind of genius. And there is never a moment of rest!
After a long period of mutual amorous servitude Philippe was beginning
to grow weary. Noémi, marvellously prompt in perceiving in the heart of
her husband-lover the least signs of a veering of the wind, slept with
one eye open; always jealously on the watch, while Philippe was unaware
of it, she was able to turn danger aside with one stroke and entrap
again, by the allurement of the senses and her subtle wit, the man who
was about to escape her. It was a game at first, but not for long. Still
more than Philippe she had to watch herself, to be always attentive,
always ready to ward off the unexpected ravages of the perfidious
minutes, the infallible ravages of the days and the years. Noémi no
longer had all her first freshness; her complexion was mottled; the
fineness of her face was turning to dryness, her throat was growing
heavy, and the pure cords of her neck were menaced. Art flew to the aid
of the endangered masterpiece and even added a few additional charms.
But what tension this always meant! The least moment of abandon would
have betrayed the secret to the keen eye of the master, who would not
have forgotten it. Never to allow oneself to be taken unawares! . . .
What a tragedy one morning when one of the little upper incisors broke!
Noémi had remained half the day invisible at the dentist's, for if, on
her return, Philippe had not seen her exhibit her impeccable smile, he
would have had suspicions into which jealousy did not enter. (Though
even jealousy is less terrible than a broken tooth!) She had to play a
fast game. Philippe was not one of those husbands whom one can easily
deceive in regard to the quality of one's physical wares. He belonged to
that trade himself. Noémi always felt her heart beat a little when he
turned on her one of those "X-Ray" glances (as she called them,
laughing, to put him on the wrong scent) with which he made her undergo
a visit of inspection. "Does he see?" she would, wonder. He saw, but he
did not show it. Noémi's art seemed to him a part of nature; and so
long as the effect pleased him everything went well. But look out for
the day when the effect might fail! . . . She could not sleep two nights
running on her laurels. She had to win them anew every morrow morning.
And she was not permitted to appear anxious. To please the master she
had to seem always gay, young, radiant. It was crushing at times. In
moments of weariness, when she knew she was not being seen, she slid
down in the hollow of a divan, with a hard wrinkle between her eyes, a
shrivelled smile, her carmine lips bleeding. . . . But the attack of
weakness never lasted more than a minute or two. She had to set out
again. And she did set out. Young, gay, radiant. . . . Why not? She was
so. And she did not slacken. . . . Besides, there are ways of avenging
Public-domain text, read in full here on John Shaqi.
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