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[Illustration: "_When the last free trail is a prim, fenced lane_
_And our graves grow weeds through forgetful Mays,_
_Richer and statelier then you'll reign,_
_Mother of men whom the world will praise._
_And your sons will love you and sigh for you,_
_Labor and battle and die for you,_
_But never the fondest will understand_
_The way we have loved you, young, young land._"]
SUN AND SADDLE LEATHER
BY BADGER CLARK
Illustrations from Photographs by L. A. HUFFMAN
THIRD EDITION
[Illustration]
BOSTON
RICHARD G. BADGER
THE GORHAM PRESS
Copyright, 1915, 1917 and 1919 by Badger Clark
All Rights Reserved
MADE IN THE UNITED STATES OF AMERICA
The Gorham Press, Boston, U. S. A.
TO MY FATHER, _who, in his long life, has seldom been conscious
of a man's rough exterior, or unconscious of his obscurest virtue._
PREFACE TO THE THIRD EDITION
Cowboys are the sternest critics of those who would represent the West.
No hypocrisy, no bluff, no pose can evade them.
Yet cowboys have made Badger Clark's songs their own. So readily have
they circulated that often the man who sings the song could not tell
you where it started. Many of the poems have become folk songs of the
West, we may say of America, for they speak of freedom and the open.
Generous has been the praise given _Sun and Saddle Leather_, but
perhaps no criticism has summed up the work so satisfactorily as the
comment of the old cow man who said, "You can break me if there's a
dead poem in the book, I read the hull of it. Who in H---- is this kid
Clark, anyway? I don't know how he knowed, but he _knows_."
That is what proves Badger Clark the real poet. He knows. Beyond his
wonderful presentation of the West is the quality of universal appeal
that makes his work real art. He has tied the West to the universe.
The old cow man is not the only one who has wondered who Badger Clark
was. Charles Wharton Stork speaking of _Sun and Saddle Leather_, said,
"It has splendid flavor and fine artistic handling as well. I should
like to know more of the author, whether he was a cow puncher or merely
got inside his psychology by imagination."
Badger Clark was brought up in the West. As a boy he lived in Deadwood,
South Dakota. The town at that time was trying to live down the
reputation for exuberant indecorum which she had acquired during the
gold rush; but her five churches operating two hours a week could make
little headway against the competition of two dance halls and
twenty-six saloons running twenty-four hours a day.
Perhaps it was these early impressions that make _The Piano at Red's_
in Mr. Clark's later volume _Grass Grown Trails_ so vivid.
Public-domain text, read in full here on John Shaqi.
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