Scuffling feet and thud of fists,
Curses hot as fire--
Still the music sang of love,
Longin', lost desire,
Dreams that never could have been
Joys that couldn't stay--
While the man upon the floor
Wiped the blood away.
After Clark had grown up, in the cow country near the Mexican border,
he stumbled unexpectedly into paradise. He was given charge of a small
ranch and the responsibility for a bunch of cattle just large enough to
amuse him, but too small to demand a full day's work once a month. The
sky was persistently blue, the sunlight was richly golden, the folds of
the barren mountains and the wide reaches of the range were full of many
lovely colors, and his nearest neighbor was eight miles away.
The cow men who dropped in for a meal now and then in the course of
their interminable riding appeared to have ridden directly out of books
of adventure, with old-young faces full of sun wrinkles, careless
mouths full of bad grammar, strange oaths and stranger yarns, and
hearts for the most part as open and shadowless as the country they
daily ranged.
In the evenings as Clark placed his boot heels on the porch railing,
smote the strings of his guitar and broke the tense silence of the
warm, dry twilight with song, he often wondered, as his eyes rested
dreamily on the spikey yuccas that stood out sharp and black against
the clear lemon color of the sunset west, why hermit life in the desert
was traditionally a sad, penitential affair.
In a letter to his mother a month or two after settling in Arizona he
found prose too weak to express his utter content and perpetrated his
first verses. She, with natural pride, sent the verses to a magazine,
the old _Pacific Monthly_, and a week or two later the desert dweller
was astonished beyond measure to receive his first editorial check.
The discovery that certain people in the world were willing to pay
money for such rhymes as he could write bent the whole course of his
subsequent life, for good or evil, and the occasional lyric impulse
hardened into a habit which has consumed much of his time and most of
his serious thought since that date. The verses written to his mother
were _Ridin'_, the first poem in his first book, _Sun and Saddle
Leather_, and the greater part of the poems in both _Sun and Saddle
Leather_ and _Grass Grown Trails_ were written in Arizona.
_Sun and Saddle Leather_ and _Grass Grown Trails_ are books of Western
songs, simple and ringing and yet with an ample vision that makes them
unique among poems written in a local vernacular. The spirit of them
is eternal, the spirit of youth in the open, and their background is
"God's Reserves," the vast reach of Western mesa and plain that will
always remain free--"the way that it was when the world was new."
Public-domain text, read in full here on John Shaqi.
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