Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
Fairy tales; Tales -- Arab countries
the information of one of the prince’s enviers, and cautioning the
people against entertaining aught but reverence for the strangers. This
amusing episode is omitted in the Turkish version. In one point the tale
of Zayn al-Asnam has the advantage of that of Abd es-Samed: it is much
more natural, or congruous, that the King of the Genii should affect to
require the chaste maiden and give the prince a magical mirror which
would test her purity, and that the freed slave Mubarak should accompany
the prince in his quest.
_ALADDIN; OR, THE WONDERFUL LAMP—p. 52._
Those scholars who declared a number of the tales in Galland’s “Mille et
une Nuits” to be of his own invention, because they were not found in
any of the Arabic MS. texts of The Nights preserved in European
libraries, were unconsciously paying that learned and worthy man a very
high compliment, since the tales in question are among the best in his
work and have ever been, and probably will continue to be, among the
most popular favourites. But the fact that Galland seized the first
opportunity of intimating that two of those tales were not translated or
inserted by himself ought to have been alone amply sufficient
presumptive evidence of his good faith with regard to the others.
A friendly reviewer of my “Popular Tales and Fictions” etc. states that
modern collectors of European _Märchen_, though “working from 100 to 150
years after the appearance of the ‘Thousand and One Nights,’ in European
literature, have not found the special versions therein contained
distributed widely and profusely throughout Europe,” and that my chapter
on Aladdin is proof sufficient that they have not done so. The reviewer
goes on to say that I cite “numerous variants, but, save one from Rome,
variants of the _theme_, not of the _version_; some again, such as the
Mecklenburg and Danish forms, are more primitive in tone; and all lack
those effective and picturesque details which are the charm of the
Arabian story, and which a borrower only interested in the story as a
story might just be expected to retain.”[134]
Public-domain text, read in full here on John Shaqi.
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