Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
Fairy tales; Tales -- Arab countries
When we find a popular (_i.e._ oral) European tale reproduce the most
minute details of a story found in The Nights, we should conclude that
it has been derived therefrom and within quite recent times, and such I
am now disposed to think is the case of the Roman version of Aladdin
given by Miss Busk under the title of “How Cajusse was Married,”
notwithstanding the circumstance that the old woman from whom it was
obtained was almost wholly illiterate. A child who could read might have
told the story out of Galland to his or her nurse, through whom it would
afterwards assume local colour, with some modifications of the details.
But stories having all the essential features of the tale of Aladdin
were known throughout Europe long before Galland’s work was published,
and in forms strikingly resembling other Asiatic versions, from one of
which the Arabian tale must have been adapted. The incidents of the
Magician and Aladdin at the Cave, and the conveying of the Princess and
the vazír’s son three nights in succession to Aladdin’s house (which
occurs, in modified forms, in other tales in The Nights), I consider as
the work of the Arabian author. Stripped of these particulars, the
elements of the tale are identical in all versions, Eastern and Western:
a talisman, by means of which its possessor can command unlimited
wealth, &c.; its loss and the consequent disappearance of the
magnificent palace erected by supernatural agents who are subservient to
the owner of the talisman; and finally its recovery together with the
restoration of the palace to its original situation. The Arabian tale is
singular in the circumstance of the talisman (the Lamp) being recovered
by human means—by the devices of the hero himself, in fact; since in all
the European and the other Asiatic forms of the story it is recovered
by, as it was first obtained from, grateful animals. To my mind, this
latter is the pristine form of the tale, and points to a Buddhist
origin—mercy to all living creatures being one of the leading doctrines
of pure Buddhism.
Public-domain text, read in full here on John Shaqi.
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