Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
Fairy tales; Tales -- Arab countries
In the Persian “Sindibád Náma,” a princess, while amusing herself in a
garden with her maidens, is carried away by a demon to his cave in the
mountains. The king proclaims that he will give his daughter in marriage
to whoever should bring her back. Four brothers offer themselves for the
undertaking: one is a guide who has travelled over the world; the second
is a daring robber, who would take the prey even from the lion’s mouth;
the third is a brave warrior; and the fourth is a skilful physician. The
guide leads the three others to the demon’s cave; the robber steals the
damsel while the demon is absent; the physician, finding her at death’s
door, restores her to perfect health; while the warrior puts to flight a
host of demons who sallied out of the cave.
The Sanskrit story has undergone a curious transformation among the
Kalmuks. In the 9th Relation of Siddhí Kúr (a Mongolian version of the
Vampyre Tales) six youths are companions: an astrologer, a smith, a
doctor, a mechanic, a painter, and a rich man’s son. At the mouth of a
great river each plants a tree of life and separates, taking different
roads, having agreed to meet again at the same spot, when if the tree of
any of them is found to be withered it will be a token that he is dead.
The rich man’s son marries a beautiful girl, who is taken from him by
the Khan, and the youth is at the same time put to death by the Khan’s
soldiers and buried under a great rock. When the five other young men
meet at the time and place appointed they find the tree of the rich
youth withered. Thereupon the astrologer by his art discovers where the
youth is buried; the smith breaks the rock asunder; the physician
restores the youth to life, and he tells them how the Khan had robbed
him of his wife and killed him. The mechanic then constructs a flying
chariot in the form of Garuda—the bird of Vishnu; the counterpart of the
Arabian rukh—which the painter decorates, and when it is finished the
rich youth enters it and is swiftly borne through the air to the roof of
the Khan’s dwelling, where he alights. The Khan, supposing the machine
to be a real Garuda, sends the rich youth’s own wife to the roof with
some food for it. Could anything have been more fortunate? The youth
takes her into the wooden Garuda and they quickly arrive at the place
where his companions waited for his return. When they beheld the
marvellous beauty of the lady the five skilful men instantly fell in
love with her, and began to quarrel among themselves, each claiming the
lady as his by right, and drawing their knives they fought and slew one
another. So the rich youth was left in undisputed possession of his
beautiful bride.
Public-domain text, read in full here on John Shaqi.
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