Surrey: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Surrey (England) -- Description and travel
To the last has been left that which is not the least of Guildford's
lions, its old Castle, standing above St. Mary's, a little to the right
of the Market as we came up High Street. Guildford Castle is believed to
date from Henry II., but first comes to mention in King John's time.
What has been left of it by the power _Edax rerum_ is mainly its grim
keep, solidly planted on a mound that may have been the site of a
pre-Norman fortress. Beside this, part of the area is prettily laid out
as a public garden. Some curious bits of carving are to be noted in the
keep. Within the gateway on the lower side will be found the Surrey
Archæological Society's Museum, not a very large one as yet, but
containing a varied show of county antiquities. From the top of the keep
there is a fine view of the Wey valley.
This view may be enlarged by mounting the lane behind, that leads to a
much less imposing modern fort on the Downs, by which goes out the grand
walk along them to Newland's Corner, and on by the line of the Pilgrims'
Way. On the opposite block of the Downs, above Guildford, the cemetery
affords another good prospect point, reached by taking the steep rise of
the old Hog's Back road leading up from the bridge below the station.
Near the entrance of this finely displayed burial-ground, a marble cross
marks the grave of the author of _Alice in Wonderland_, with whom
Guildford was a favourite sojourn. "There must have been something
remarkable about that gentleman," an official of the place opined to me,
"for a good many has asked me where he lies." One spectacle is no longer
available on this stiff ascent, at the top of which, as Defoe states
admiringly, the gallows used to stand so plain in view "that the Towns
People from the High Street may sit at their Shop Doors and see the
Criminals executed."
Fair scenes about Guildford will be spoken of under another head. Let us
here hold on down the Wey, which henceforth takes two forms, now
coinciding, then going apart, the canalised Wey Navigation, and the
wilful loops that could not be made to fit the course of this water-way,
for which they have suffered depletion, but in flood time can yet assert
themselves by turning the low meadows into lakes. As in the case of
Hogarth's "Industrious Apprentice," the canal has thriven so that it may
be called the main stream, while it is seldom so straight-lined or
business-minded but that its tow-path makes a pleasant riverside walk.
This canalisation was carried out as far back as the middle of the
seventeenth century, just after the Civil War, locks being then first
introduced into England; and the opening of such a convenience for
carrying corn and timber to London helped to bring back Guildford's old
prosperity.
Public-domain text, read in full here on John Shaqi.
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