Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
flush and at once correct herself.
After waiting a minute, I would go in and kiss her; Françoise would
be making her tea; or, if my aunt were feeling 'upset,' she would ask
instead for her 'tisane,' and it would be my duty to shake out of
the chemist's little package on to a plate the amount of lime-blossom
required for infusion in boiling water. The drying of the stems had
twisted them into a fantastic trellis, in whose intervals the pale
flowers opened, as though a painter had arranged them there, grouping
them in the most decorative poses. The leaves, which had lost or altered
their own appearance, assumed those instead of the most incongruous
things imaginable, as though the transparent wings of flies or the blank
sides of labels or the petals of roses had been collected and pounded,
or interwoven as birds weave the material for their nests. A
thousand trifling little details--the charming prodigality of the
chemist--details which would have been eliminated from an artificial
preparation, gave me, like a book in which one is astonished to read the
name of a person whom one knows, the pleasure of finding that these were
indeed real lime-blossoms, like those I had seen, when coming from the
train, in the Avenue de la Gare, altered, but only because they were not
imitations but the very same blossoms, which had grown old. And as each
new character is merely a metamorphosis from something older, in these
little grey balls I recognised green buds plucked before their time; but
beyond all else the rosy, moony, tender glow which lit up the blossoms
among the frail forest of stems from which they hung like little golden
roses--marking, as the radiance upon an old wall still marks the place
of a vanished fresco, the difference between those parts of the tree
which had and those which had not been 'in bloom'--shewed me that these
were petals which, before their flowering-time, the chemist's package
had embalmed on warm evenings of spring. That rosy candlelight was still
their colour, but half-extinguished and deadened in the diminished life
which was now theirs, and which may be called the twilight of a flower.
Presently my aunt was able to dip in the boiling infusion, in which she
would relish the savour of dead or faded blossom, a little madeleine, of
which she would hold out a piece to me when it was sufficiently soft.
Public-domain text, read in full here on John Shaqi.
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