Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
At one side of her bed stood a big yellow chest-of-drawers of
lemon-wood, and a table which served at once as pharmacy and as
high altar, on which, beneath a statue of Our Lady and a bottle of
Vichy-Célestins, might be found her service-books and her medical
prescriptions, everything that she needed for the performance, in bed,
of her duties to soul and body, to keep the proper times for pepsin and
for vespers. On the other side her bed was bounded by the window: she
had the street beneath her eyes, and would read in it from morning to
night to divert the tedium of her life, like a Persian prince, the daily
but immemorial chronicles of Combray, which she would discuss in detail
afterwards with Françoise.
I would not have been five minutes with my aunt before she would send me
away in case I made her tired. She would hold out for me to kiss her sad
brow, pale and lifeless, on which at this early hour she would not yet
have arranged the false hair and through which the bones shone like the
points of a crown of thorns--or the beads of a rosary, and she would say
to me: "Now, my poor child, you must go away; go and get ready for
mass; and if you see Françoise downstairs, tell her not to stay too
long amusing herself with you; she must come up soon to see if I want
anything."
Françoise, who had been for many years in my aunt's service and did not
at that time suspect that she would one day be transferred entirely to
ours, was a little inclined to desert my aunt during the months which we
spent in her house. There had been in my infancy, before we first went
to Combray, and when my aunt Léonie used still to spend the winter in
Paris with her mother, a time when I knew Françoise so little that on
New Year's Day, before going into my great-aunt's house, my mother put
a five-franc piece in my hand and said: "Now, be careful. Don't make
any mistake. Wait until you hear me say 'Good morning, Françoise,' and
I touch your arm before you give it to her." No sooner had we arrived
in my aunt's dark hall than we saw in the gloom, beneath the frills of a
snowy cap as stiff and fragile as if it had been made of spun sugar, the
concentric waves of a smile of anticipatory gratitude. It was Françoise,
motionless and erect, framed in the small doorway of the corridor like
the statue of a saint in its niche. When we had grown more accustomed to
this religious darkness we could discern in her features a disinterested
love of all humanity, blended with a tender respect for the 'upper
classes' which raised to the most honourable quarter of her heart the
hope of receiving her due reward. Mamma pinched my arm sharply and said
in a loud voice: "Good morning, Françoise." At this signal my fingers
parted and I let fall the coin, which found a receptacle in a confused
but outstretched hand. But since we had begun to go to Combray there was
no one I knew better than Françoise. We were her favourites, and in the
Public-domain text, read in full here on John Shaqi.
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