Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
At Combray, as every afternoon ended, long before the time when I should
have to go up to bed, and to lie there, unsleeping, far from my
mother and grandmother, my bedroom became the fixed point on which my
melancholy and anxious thoughts were centred. Some one had had the happy
idea of giving me, to distract me on evenings when I seemed abnormally
wretched, a magic lantern, which used to be set on top of my lamp while
we waited for dinner-time to come: in the manner of the master-builders
and glass-painters of gothic days it substituted for the opaqueness
of my walls an impalpable iridescence, supernatural phenomena of many
colours, in which legends were depicted, as on a shifting and transitory
window. But my sorrows were only increased, because this change of
lighting destroyed, as nothing else could have done, the customary
impression I had formed of my room, thanks to which the room itself,
but for the torture of having to go to bed in it, had become quite
endurable. For now I no longer recognised it, and I became uneasy, as
though I were in a room in some hotel or furnished lodging, in a place
where I had just arrived, by train, for the first time.
Riding at a jerky trot, Golo, his mind filled with an infamous design,
issued from the little three-cornered forest which dyed dark-green the
slope of a convenient hill, and advanced by leaps and bounds towards the
castle of poor Geneviève de Brabant. This castle was cut off short by
a curved line which was in fact the circumference of one of the
transparent ovals in the slides which were pushed into position through
a slot in the lantern. It was only the wing of a castle, and in front
of it stretched a moor on which Geneviève stood, lost in contemplation,
wearing a blue girdle. The castle and the moor were yellow, but I could
tell their colour without waiting to see them, for before the slides
made their appearance the old-gold sonorous name of Brabant had given
me an unmistakable clue. Golo stopped for a moment and listened sadly to
the little speech read aloud by my great-aunt, which he seemed perfectly
to understand, for he modified his attitude with a docility not devoid
of a degree of majesty, so as to conform to the indications given in the
text; then he rode away at the same jerky trot. And nothing could arrest
his slow progress. If the lantern were moved I could still distinguish
Golo's horse advancing across the window-curtains, swelling out with
their curves and diving into their folds. The body of Golo himself,
being of the same supernatural substance as his steed's, overcame all
material obstacles--everything that seemed to bar his way--by taking
each as it might be a skeleton and embodying it in himself: the
door-handle, for instance, over which, adapting itself at once, would
float invincibly his red cloak or his pale face, never losing its
nobility or its melancholy, never shewing any sign of trouble at such a
transubstantiation.
Public-domain text, read in full here on John Shaqi.
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