Sylvia & Michael: The later adventures of Sylvia Scarlett — John Shaqi
Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
Sylvia was conscious of trying to arrive at an explanation of Mère
Gontran that, while it allowed her behavior a certain amount of
reasonableness, would prevent herself from accepting Mère Gontran's own
explanation of it. There was something distasteful, something cheap and
vulgar, in the conception of Gontran's spiritual existence as an
infinite prolongation of his life upon earth; there was something
radically fatuous in the imagination of him at the end of a ghostly
telephone-wire still at the beck and call of human curiosity. If,
indeed, in some mysterious way the essential Gontran was communicating
with his wife, the translation of his will to communicate must be a
subjective creation of hers; it was somehow ludicrous, and even
unpleasant, to accept Dick's gathering of a daisy as a demonstration of
the activity of mankind in another world; it was too much a finite
conception altogether. Without hesitation Sylvia rejected spiritualism
as a useful adventure for human intelligence. It was impossible to
accept its more elaborate manifestations with bells and tambourines and
materializing mediums, when one knew the universal instinct of mankind
to lie; and in its simpler manifestations, as with Mère Gontran, where
conscious or deliberate deceit was out of the question, it was merely a
waste of time, being bound by the limitations of an individual soul that
would always be abnormal and probably in most cases idiotic.
Sylvia pulled down the blind, and, leaving Mère Gontran to her nocturnal
contemplation, went to bed.
Notwithstanding her abrupt rejection of spiritualism, Sylvia found, when
she was in bed, that the incidents of the evening and the accessories of
the house were affecting her to sleeplessness. That succession of raps
declined to come within the natural explanation that she had attempted.
Were they due to some action of overcharged atmosphere, a kind of
miniature thunderclap from the meeting of two so-called electrical
currents generated by herself and Mère Gontran? Were they merely
coincidental creakings of furniture in response to the warmth of the
stove? Or had Mère Gontran mesmerized her into hearing raps that were
never made? The cats had also heard them; but Mère Gontran's intimacy
with her animals might well have established such a mental domination,
even over them.
Public-domain text, read in full here on John Shaqi.
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