Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
Naturally, with so much of her attention fixed upon the raps
down-stairs, Sylvia began to fancy renewed rappings all round her in the
darkness, and not merely rappings, but all sorts of nocturnal shufflings
and scrapings and whisperings and scratchings, until she had to relight
her candle. The noises became less, but optical delusions were
substituted for tricks of hearing, and there was not a piece of
furniture in the room that did not project from its outward form the
sense of its independent reality. The wardrobe, for instance, seemed to
challenge her with the thought that it was no longer the receptacle of
her skirts and petticoats: it seemed to be asserting its essential
"wardrobishness" for being the receptacle for anything it liked. Sylvia
set aside as too obviously and particularly silly the fancy that some
one might be hidden in the wardrobe, but she could not get rid of the
fancy that the piece of furniture had an existence outside her own
consciousness. It was a mere Hans Andersen kind of fancy, but it took
her back to remote childish apprehensions of inanimate objects, and
after her meditation upon instinct she began to wonder whether, after
all, the child was not quite right to be afraid of everything, which
grown-ups called being afraid of nothing; and whether that escape from
childish terrors which was called knowledge was nothing but a drug that
blunted the perceptions and impeded the capacity for esteeming whatever
approximated to truth. Yet why should a child be afraid of a wardrobe?
Why should a child be afraid of everything? Because in everything there
was evil. Sylvia recalled--and in this room it was impossible to rid
herself of that diabolic obsession--that the devil was known as the
Father of Lies. Was not all evil anti-truth, and did not man, with his
preference for anti-truth, create the material evil that was used as an
argument against the divine ordering of matter? Paradoxical as it might
seem, the worse ordered the world appeared the more did such an
appearance of pessimism involve the existence of God. Whither led all
this theosophistry? Toward the only perfect revelation of God in man:
toward Jesus Christ.
Public-domain text, read in full here on John Shaqi.
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