French fiction -- Translations into English; Unrequited love -- Fiction
"Oh! poor aunt," cried Sylvie; "she lent me her gown to wear to the
carnival at Dammartin, two years ago, and the next year she died, dear,
old aunt!" She sighed and the tears came, so I could not inquire how it
chanced that she went to a masquerade, but I perceived that, thanks to
her skill, Sylvie was no longer a peasant girl. Her parents had not
risen above their former station, and she lived with them, scattering
plenty around her like an industrious fairy.
XI.
RETURN.
The outlook widened when we left the forest and we found ourselves near
the lake of Chaâlis. The galleries of the cloister, the chapel with its
pointed arches, the feudal tower and the little castle which had
sheltered the loves of Henry IV. and Gabrielle, were bathed in the
crimson glow of evening against the dark background of the forest.
"Like one of Walter Scott's landscapes, is it not?" said Sylvie. "And
who has told you of Walter Scott?" I inquired. "You must have read much
in the past three years! As for me, I try to forget books, and what
delights me, is to revisit with you this old abbey where, as little
children, we played hide and seek among the ruins. Do you remember,
Sylvie, how afraid you were when the keeper told us the story of the Red
Monks?"
"Oh, do not speak of it!"
"Well then, sing me the song of the fair maid under the white
rose-bush, who was stolen from her father's garden."
"Nobody sings that now."
"Is it possible that you have become a musician?"
"Perhaps."
"Sylvie, Sylvie, I am positive that you sing airs from operas!"
"Why should you complain?"
"Because I loved the old songs and you have forgotten them."
Sylvie warbled a few notes of a grand air from a modern opera.... She
_phrased!_
We turned away from the lakeside and approached the green bordered with
lime-trees and elms, where we had so often danced. I had the conceit to
describe the old Carlovingian walls and to decipher the armorial
bearings of the House of Este.
"And you! How much more you have read than I, and how learned you have
become!" said Sylvie. I was vexed by her tone of reproach, as I had all
the way been seeking a favourable opportunity to resume the tender
confidences of the morning, but what could I say, accompanied by a
donkey and a very wide-awake lad who pressed nearer and nearer for the
pleasure of hearing a Parisian talk? Then I displayed my lack of tact,
by relating the vision of Chaâlis which I recalled so vividly. I led
Sylvie into the very hall of the castle where I had heard Adrienne sing.
"Oh, let me hear you!" I besought her; "let your loved voice ring out
beneath these arches and put to flight the spirit that torments me, be
it angel or demon!" She repeated the words and sang after me:
"_Anges, descendez promptement_
_au fond du purgatoire...._"
Angels descend without delay
To dread abyss of purgatory.
"It is very sad!" she cried.
"It is sublime! An air from Porpora, I think, with words translated in
the present century."
Public-domain text, read in full here on John Shaqi.
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