French fiction -- Translations into English; Unrequited love -- Fiction
I was about to reply, to fall at her feet and offer her my uncle's house
which I could purchase, as the little estate had not been apportioned
among the numerous heirs, but just then we reached Loisy, where supper
awaited us and the onion-soup was diffusing its patriarchal odour.
Neighbours had been invited to celebrate the day after the feast, and I
recognised at a glance Father Dodu, an old wood-cutter who used to amuse
or frighten us, in the evenings by his stories. Shepherd, carrier,
gamekeeper, fisherman and even poacher, by turns, Father Dodu made
clocks and turnspits in his leisure moments. For a long time he acted as
guide to the English tourists at Hermenonville, and while he recounted
the last moments of the philosopher, would lead them to Rousseau's
favourite spots for meditation. He was the little boy employed to
classify the herbs and gather the hemlock twigs from which the sage
pressed the juice into his cup of coffee. The landlord of the Golden
Cross contested this point and a lasting feud resulted. Father Dodu had
once borne the reproach of possessing some very innocent secrets, such
as how to cure cows by saying a rhyme backwards and making the sign of
the cross with the left foot, but he had renounced these
superstitions--thanks, he declared, to his conversations with Jean
Jacques.
"That you, little Parisian?" said Father Dodu; "have you come to carry
off our pretty girls?"
"I, Father Dodu?"
"You take them into the woods when the wolf is away!"
"Father Dodu, you are the wolf."
"I was as long as I could find sheep, but at present I meet only goats,
and they know how to take care of themselves! As for you, why, you are
all rascals in Paris. Jean Jacques was right when he said, 'Man grows
corrupt in the poisonous air of cities.'"
"Father Dodu, you know very well that men become corrupt everywhere."
"Father Dodu began to roar out a drinking song, and it was impossible to
stop him at a questionable couplet that everyone knew by heart. Sylvie
would not sing, in spite of our entreaties, on the plea that it was no
longer customary to sing at table. I bad already noticed the lover of
the ball, seated at her left, and his round face and tumbled hair seemed
familiar. He rose and stood behind me, saying, "Have you forgotten me,
Parisian?" A good woman who came back to dessert after serving us,
whispered in my ear: "Do you not recognize your foster-brother?" Without
this warning, I should have made myself ridiculous. "Ah, it is _Big
Curly-head_!" I cried; "the very same who pulled me out of the water."
Sylvie burst out laughing at the recollection.
"Without considering," said the youth em-bracing me, "that you had a
fine silver watch and on the way home you were more concerned about it
than yourself, because it had stopped. You said, 'the _creature is
drowned_ does not go tick-tack; what will Uncle say?'" "A watch is a
creature," said Father Dodu; "that is what they tell children in Paris!"
Public-domain text, read in full here on John Shaqi.
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