French fiction -- Translations into English; Unrequited love -- Fiction
Sylvie was sleepy, and I fancied there was no hope for me. She went
upstairs, and as I kissed her, said: "Come again to-morrow." Father Dodu
remained at table with Sylvain and my foster-brother, and we talked a
long time over a bottle of Louvres ratafia.
"All men are equal," said Father Dodu between glasses; "I drink with a
pastry-cook as readily as with a prince."
"Where is the pastry-cook?" I asked.
"By your side! There you see a young man who is ambitious to get on in
life."
My foster-brother appeared embarrassed and I understood the situation.
Fate had reserved for me a foster-brother in the very country made
famous by Rousseau, who opposed putting children out to nurse! I learned
from Father Dodu that there was much talk of a marriage between Sylvie
and Big Curly-head, who wished to open a pastry-shop at Dammartin. I
asked no more. Next morning the coach from Nanteuil-le-Haudouin took me
back to Paris.
XIII
AURÉLIE.
To Paris, a journey of five hours! I was impatient for evening, and
eight o'clock found me in my accustomed seat Aurélie infused her own
spirit and grace into the lines of the play, the work of a contemporary
author evidently inspired by Schiller. In the garden scene she was
sublime. During the fourth act, when she did not appear, I went out to
purchase a bouquet of Madame Prevost, slipping into it a tender effusion
signed _An Unknown_, "There," thought I, "is something definite for the
future," but on the morrow I was on my way to Germany.
Why did I go there? In the hope of com-posing my disordered fancy. If I
were to write a book, I could never gain credence for the story of a
heart torn by these two conflicting loves. I had lost Sylvie through my
own fault, but to see her for a day, sufficed to restore my soul. A
glance from her had arrested me on the verge of the abyss, and
henceforth I enshrined her as a smiling goddess in the Temple of Wisdom.
I felt more than ever reluctant to present myself before Aurélie among
the throng of vulgar suitors who shone in the light of her favour for an
instant only to fall blinded.
"Some day," said I, "we shall see whether this woman has a heart."
One morning I learned from a newspaper that Aurélie was ill, and I wrote
to her from the mountains of Salzburg, a letter so filled with German
mysticism that I could hardly hope for a reply, indeed I expected none.
I left it to chance or ... the _unknown._
Months passed, and in the leisure intervals of travel I undertook to
embody in poetic action the life-long devotion of the painter Colonna to
the fair Laura who was constrained by her relatives to take the veil.
Something in the subject lent itself to my habitual train of thought,
and as soon as the last verse of the drama was written, I hastened back
to France.
Public-domain text, read in full here on John Shaqi.
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