Synge and the Ireland of His TimeYeats, W. B. (William Butler)
General
Synge and the Ireland of His Time
Yeats, W. B. (William Butler)
Dramatists, Irish -- 20th century -- Biography; Synge, J. M. (John Millington), 1871-1909
In the summer of 1909, the Executors sent me a large bundle of papers,
cuttings from newspapers and magazines, manuscript and typewritten
prose and verse, put together and annotated by Synge himself before his
last illness. I spent a portion of each day for weeks reading and
re-reading early dramatic writing, poems, essays, and so forth, and
with the exception of ninety pages which have been published without my
consent, made consulting Lady Gregory from time to time the Selection
of his work published by Messrs. Maunsel. It is because of these ninety
pages, that neither Lady Gregory's name nor mine appears in any of the
books, and that the Introduction which I now publish, was withdrawn by
me after it had been advertised by the publishers. Before the
publication of the books the Executors discovered a scrap of paper with
a sentence by J.M. Synge saying that Selections might be taken from his
Essays on the Congested Districts. I do not know if this was written
before his letter to me, which made no mention of them, or contained
his final directions. The matter is unimportant, for the publishers
decided to ignore my offer to select as well as my original decision to
reject, and for this act of theirs they have given me no reasons except
reasons of convenience, which neither Lady Gregory nor I could accept.
W.B. Yeats.
* * * * *
J.M. SYNGE AND THE IRELAND OF HIS TIME
On Saturday, January 26th, 1907, I was lecturing in Aberdeen, and when
my lecture was over I was given a telegram which said, 'Play great
success.' It had been sent from Dublin after the second Act of 'The
Playboy of the Western World,' then being performed for the first time.
After one in the morning, my host brought to my bedroom this second
telegram, 'Audience broke up in disorder at the word shift.' I knew no
more until I got the Dublin papers on my way from Belfast to Dublin on
Tuesday morning. On the Monday night no word of the play had been
heard. About forty young men had sat on the front seats of the pit, and
stamped and shouted and blown trumpets from the rise to the fall of the
curtain. On the Tuesday night also the forty young men were there. They
wished to silence what they considered a slander upon Ireland's
womanhood. Irish women would never sleep under the same roof with a
young man without a chaperon, nor admire a murderer, nor use a word
like 'shift;' nor could anyone recognise the country men and women of
Davis and Kickham in these poetical, violent, grotesque persons, who
used the name of God so freely, and spoke of all things that hit their
fancy.
Public-domain text, read in full here on John Shaqi.
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