As I gazed at Walden Pond in search of calm, the wind spawned new waves, and the surface swelled with complexity. I recalled what Atmananda had said after I returned from a five-day bike trip in California. He announced in front of other disciples that my aura was dark. He also said that I had been attacked by nocturnal, mountain-dwelling Entities which "cause neurosis and psychosis, obliterate lifetimes of spiritual evolution, and can possess your soul." Atmananda's Entity-prevention program included studying with a fully enlightened teacher, meditating regularly, and avoiding solitary excursions into nature. Yet in the spring of 1986, nearly one year after I left him, I reminded myself that I would rather be possessed in my world than potentially perfect in his. I planned to pedal across America not with an exorcist, but with a puppy. On May 31, 1986, as warm, moist air pushed pockets of fog over Walden Pond, I lifted the four-month-old Siberian husky, Nunatak, into the doggie-carrier. The carrier rested on top of the bicycle trailer, attached to the frame of my 12-speed. Strong headwinds soon strained my muscles, shook the lush canopy of foliage, and pelted me with large drops of rain. As I began the journey west, the front tire raced through puddles while my mind raced through painful memories and questions. How had my years with Atmananda affected me? Why was it so difficult to leave him? What was it about my past that led me to him? 2. Zapped! "Lights," said my father and for a moment, except for the phosphorescent hands of the clock on the wall, the room went black. With a flip of a switch, he suddenly reappeared: a tall, thin man with thick glasses, standing beside the glowing enlarger. As a child I sat for hours under a dim yellow light, mesmerized by images appearing on paper submerged in trays filled with smelly liquid. Yellow, my father taught me, has no apparent effect on the light-sensitive specks coating photographic paper. The unorthodox images which leapt from the walls of our house seemed as eerie as the darkroom experience itself: there was a photograph of a llama's head as viewed through a distorting fish-eye lens, there was a photograph of a shredded poster of a man's face, and there were many abstract photos which seemed to defy description. My father, a production manager at a New York publishing company, perhaps saw the world in a different light than his peers. My mother was an elementary school teacher with black hair and sometimes kind, sometimes intense eyes. A generous and caring woman, she put her career on hold for more than a decade to raise a family. She met my father in upstate New York on a hike sponsored by an outing club.