There, in his father’s room, at midnight, the fire was roaring and the
gas blazing; the papers, the sacred papers—to lay a hand on which was
criminal—had all been taken off and piled along the floor; a cloth was
spread, and a supper laid, upon the business table; and in his father’s
chair a woman, habited like a nun, sat eating. As he appeared in the
doorway, the nun rose, gave a low cry, and stood staring. She was a
large woman, strong, calm, a little masculine, her features marked with
courage and good sense; and as John blinked back at her, a faint
resemblance dodged about his memory, as when a tune haunts us, and yet
will not be recalled.
‘Why, it’s John!’ cried the nun.
‘I dare say I’m mad,’ said John, unconsciously following King Lear; ‘but,
upon my word, I do believe you’re Flora.’
‘Of course I am,’ replied she.
And yet it is not Flora at all, thought John; Flora was slender, and
timid, and of changing colour, and dewy-eyed; and had Flora such an
Edinburgh accent? But he said none of these things, which was perhaps as
well. What he said was, ‘Then why are you a nun?’
‘Such nonsense!’ said Flora. ‘I’m a sick-nurse; and I am here nursing
your sister, with whom, between you and me, there is precious little the
matter. But that is not the question. The point is: How do you come
here? and are you not ashamed to show yourself?’
‘Flora,’ said John, sepulchrally, ‘I haven’t eaten anything for three
days. Or, at least, I don’t know what day it is; but I guess I’m
starving.’
‘You unhappy man!’ she cried. ‘Here, sit down and eat my supper; and
I’ll just run upstairs and see my patient; not but what I doubt she’s
fast asleep, for Maria is a _malade imaginaire_.’
With this specimen of the French, not of Stratford-atte-Bowe, but of a
finishing establishment in Moray Place, she left John alone in his
father’s sanctum. He fell at once upon the food; and it is to be
supposed that Flora had found her patient wakeful, and been detained with
some details of nursing, for he had time to make a full end of all there
was to eat, and not only to empty the teapot, but to fill it again from a
kettle that was fitfully singing on his father’s fire. Then he sat
torpid, and pleased, and bewildered; his misfortunes were then half
forgotten; his mind considering, not without regret, this unsentimental
return to his old love.
He was thus engaged, when that bustling woman noiselessly re-entered.
‘Have you eaten?’ said she. ‘Then tell me all about it.’
It was a long and (as the reader knows) a pitiful story; but Flora heard
it with compressed lips. She was lost in none of those questionings of
human destiny that have, from time to time, arrested the flight of my own
pen; for women, such as she, are no philosophers, and behold the concrete
only. And women, such as she, are very hard on the imperfect man.
‘Very well,’ said she, when he had done; ‘then down upon your knees at
once, and beg God’s forgiveness.’
Public-domain text, read in full here on John Shaqi.
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