Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
With what deep passion did Gaspar gaze, gathering hope from the
placidity of her angel countenance! A smile wreathed her lips; and he
too involuntarily smiled, as he hailed the happy omen; when suddenly her
cheek was flushed, her bosom heaved, a tear stole from her dark lashes,
and then a whole shower fell, as starting up she cried, “No!—he shall
not die!—I will unloose his chains!—I will save him!” Gaspar’s hand was
there. He caught her light form ready to fall from the perilous couch.
She opened her eyes and beheld her lover, who had watched over her dream
of fate, and who had saved her.
Manon also had slept well, dreaming or not, and was startled in the
morning to find that she waked surrounded by a crowd. The little
desolate chapel was hung with tapestry—the altar adorned with golden
chalices—the priest was chanting mass to a goodly array of kneeling
knights. Manon saw that King Henry was there; and she looked for another
whom she found not, when the iron door of the cavern passage opened, and
Gaspar de Vaudemont entered from it, leading the fair form of Constance;
who, in her white robes and dark dishevelled hair, with a face in which
smiles and blushes contended with deeper emotion, approached the altar,
and, kneeling with her lover, pronounced the vows that united them for
ever.
It was long before the happy Gaspar could win from his lady the secret
of her dream. In spite of the happiness she now enjoyed, she had
suffered too much not to look back even with terror to those days when
she thought love a crime, and every event connected with them wore an
awful aspect. “Many a vision,” she said, “she had that fearful night.
She had seen the spirits of her father and brothers in Paradise; she had
beheld Gaspar victoriously combating among the infidels; she had beheld
him in King Henry’s court, favoured and beloved; and she herself—now
pining in a cloister, now a bride, now grateful to Heaven for the full
measure of bliss presented to her, now weeping away her sad days—till
suddenly she thought herself in Paynim land; and the saint herself, St
Catherine, guiding her unseen through the city of the infidels. She
entered a palace, and beheld the miscreants rejoicing in victory; and
then, descending to the dungeons beneath, they groped their way through
damp vaults, and low, mildewed passages, to one cell, darker and more
frightful than the rest. On the floor lay one with soiled and tattered
garments, with unkempt locks and wild, matted beard. His cheek was worn
and thin; his eyes had lost their fire; his form was a mere skeleton;
the chains hung loosely on the fleshless bones.”
“And was it my appearance in that attractive state and winning costume
that softened the hard heart of Constance!” asked Gaspar, smiling at
this painting of what would never be.
Public-domain text, read in full here on John Shaqi.
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