Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
“Even so,” replied Constance; “for my heart whispered me that this was
my doing; and who could recall the life that waned in your pulses—who
restore, save the destroyer! My heart never warmed to my living, happy
knight as then it did to his wasted image as it lay, in the visions of
night, at my feet. A veil fell from my eyes; a darkness was dispelled
from before me. Methought I then knew for the first time what life and
what death was. I was bid believe that to make the living happy was not
to injure the dead; and I felt how wicked and how vain was that false
philosophy which placed virtue and good in hatred and unkindness. You
should not die; I would loosen your chains and save you, and bid you
live for love. I sprung forward, and the death I deprecated for you
would, in my presumption, have been mine,—then, when first I felt the
real value of life,—but that your arm was there to save me, your dear
voice to bid me be blest for evermore.”
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V.
_THE MOURNER._
“One fatal remembrance, one sorrow that throws
Its bleak shade alike o’er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm, and affliction no sting!”
—MOORE.
A GORGEOUS scene of kingly pride is the prospect now before us!—the
offspring of art, the nursling of nature—where can the eye rest on a
landscape more deliciously lovely than the fair expanse of Virginia
Water, now an open mirror to the sky, now shaded by umbrageous banks,
which wind into dark recesses, or are rounded into soft promontories?
Looking down on it, now that the sun is low in the west, the eye is
dazzled, the soul oppressed, by excess of beauty. Earth, water, air
drink to overflowing the radiance that streams from yonder well of
light; the foliage of the trees seems dripping with the golden flood;
while the lake, filled with no earthly dew, appears but an imbasining of
the sun-tinctured atmosphere; and trees and gay pavilion float in its
depth, more dear, more distinct than their twins in the upper air. Nor
is the scene silent: strains more sweet than those that lull Venus to
her balmy rest, more inspiring than the song of Tiresias which awoke
Alexander to the deed of ruin, more solemn than the chantings of St.
Cecilia, float along the waves and mingle with the lagging breeze, which
ruffles not the lake. Strange, that a few dark scores should be the key
to this fountain of sound; the unconscious link between unregarded noise
and harmonies which unclose paradise to our entranced senses!
Public-domain text, read in full here on John Shaqi.
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