Cooper wrote Andrew Thompson Goodrich, his first publisher, on 31 May
1820, that _Precaution_ had been preceded by an experimental effort to
write a short moral tale. Mrs. Opie's _Simple Tales_ (1807) and _Tales
of Real Life_ (1813) would have been among the obvious models. Finding
the tale "swell to a rather unwieldy size," Cooper explained, "I
destroy'd the manuscript and changed it to a novel." _Precaution_, which
was completed on 12 June 1820, was probably written within a month; and
before the novel had begun its tortuous way through the press, Cooper
commenced the writing of _The Spy_. By 28 June he had completed "about
sixty pages," presumably manuscript pages; and as the writing proceeded
and his enthusiasm for the new work mounted, his expectations for the
success of _Precaution_ diminished. He wrote Goodrich on 12 July: "The
'Spy' goes on slowly and will not be finish'd until late in the fall--I
take more pains with it--as it is to be an American novel professedly."
In fact, The Spy was completed only a short time before its publication
in New York on 22 December 1821.
During the eighteen months between the inception and publication of _The
Spy_ Cooper saw _Precaution_ through the press, joined the New York
literary circle which frequented Charles Wiley's bookshop, transferred
his publishing business to Wiley, wrote three or four long book reviews
for his friend Charles K. Gardner's _Literary and Scientific
Repository_, finished _The Spy_, and commenced _The Pioneers_. While the
period was, thus, not devoid of literary activity, it was, as the 1831
Preface to _The Spy_ confessed, a period of acute uncertainty. Having
discovered his literary talent, Cooper had yet to discover how to use it
profitably, had indeed to be reassured of its true direction. He could
not afford to write at all unless he could make his new profession pay
handsomely. _Precaution_ had been a deliberate attempt to produce a
bestseller, and it succeeded only moderately. As the Preface to the
first edition of _The Spy_ indicates, Cooper experienced severe
self-doubts and self-questionings about this experiment. For an extended
period, most probably during the first six months of 1821, he abandoned
work on _The Spy_, which had been noticed as in press in the January
issue of the _Repository_, fearing that the book could not succeed. It
was almost certainly during this time that he conceived and partly
executed another literary project of which _Tales for Fifteen_ is the
abortive remains.
Public-domain text, read in full here on John Shaqi.
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