“Not exactly, not exactly. You find at these great dinners the common steady run of authors, one, two, edition men—or if any others are invited they are aware that it is a kind of republican meeting—You understand me—a meeting of the republic of letters, and that they must expect nothing but plain substantial fare.” These hints enabled me to comprehend more fully the arrangement of the table. The two ends were occupied by two partners of the house. And the host seemed to have adopted Addison’s ideas as to the literary precedence of his guests. A popular poet had the post of honor, opposite to whom was a hot-pressed traveller in quarto, with plates. A grave-looking antiquarian, who had produced several solid works, which were much quoted and little read, was treated with great respect, and seated next to a neat, dressy gentleman in black, who had written a thin, genteel, hot-pressed octavo on political economy that was getting into fashion. Several three-volume duodecimo men of fair currency were placed about the centre of the table; while the lower end was taken up with small poets, translators, and authors, who had not as yet risen into much notice. The conversation during dinner was by fits and starts; breaking out here and there in various parts of the table in small flashes, and ending in smoke. The poet, who had the confidence of a man on good terms with the world and independent of his bookseller, was very gay and brilliant, and said many clever things, which set the partner next him, in a roar, and delighted all the company. The other partner, however, maintained his sedateness, and kept carving on, with the air of a thorough man of business, intent upon the occupation of the moment. His gravity was explained to me by my friend Buckthorne. He informed me that the concerns of the house were admirably distributed among the partners. “Thus, for instance,” said he, “the grave gentleman is the carving partner who attends to the joints, and the other is the laughing partner who attends to the jokes.”