This Green Arbour court I found to be a small square of tall and
Miserable houses, the very intestines of which seemed turned
inside out, to judge from the old garments and frippery that
fluttered from every window. It appeared to be a region of
washerwomen, and lines were stretched about the little square, on
which clothes were dangling to dry. Just as we entered the
square, a scuffle took place between two viragos about a disputed
right to a washtub, and immediately the whole community was in a
hubbub. Heads in mob caps popped out of every window, and such a
clamor of tongues ensued that I was fain to stop my ears. Every
Amazon took part with one or other of the disputants, and
brandished her arms dripping with soapsuds, and fired away from
her window as from the embrazure of a fortress; while the swarms
of children nestled and cradled in every procreant chamber of
this hive, waking with the noise, set up their shrill pipes to
swell the general concert.
Poor Goldsmith! what a time must he have had of it, with his
quiet Disposition and nervous habits, penned up in this den of
noise and vulgarity. How strange that while every sight and sound
was sufficient to embitter the heart and fill it with
misanthropy, his pen should be dropping the honey of Hybla. Yet
it is more than probable that he drew many of his inimitable
pictures of low life from the scenes which surrounded him in this
abode. The circumstance of Mrs. Tibbs being obliged to wash her
husband’s two shirts in a neighbor’s house, who refused to lend
her washtub, may have been no sport of fancy, but a fact passing
under his own eye. His landlady may have sat for the picture, and
Beau Tibbs’ scanty wardrobe have been a facsimile of his own.
It was with some difficulty that we found our way to Dribble’s
lodgings. They were up two pair of stairs, in a room that looked
upon the court, and when we entered he was seated on the edge of
his bed, writing at a broken table. He received us, however, with
a free, open, poor devil air, that was irresistible. It is true
he did at first appear slightly confused; buttoned up his
waistcoat a little higher and tucked in a stray frill of linen.
But he recollected himself in an instant; gave a half swagger,
half leer, as he stepped forth to receive us; drew a three-legged
stool for Mr. Buckthorne; pointed me to a lumbering old damask
chair that looked like a dethroned monarch in exile, and bade us
welcome to his garret.
We soon got engaged in conversation. Buckthorne and he had much
to say about early school scenes; and as nothing opens a man’s
heart more than recollections of the kind, we soon drew from him
a brief outline of his literary career.
THE POOR DEVIL AUTHOR
Public-domain text, read in full here on John Shaqi.
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