I began life unluckily by being the wag and bright fellow at
school; and I had the farther misfortune of becoming the great
genius of my native village. My father was a country attorney,
and intended that I should succeed him in business; but I had too
much genius to study, and he was too fond of my genius to force
it into the traces. So I fell into bad company and took to bad
habits. Do not mistake me. I mean that I fell into the company of
village literati and village blues, and took to writing village
poetry.
It was quite the fashion in the village to be literary. We had a
little knot of choice spirits who assembled frequently together,
formed ourselves into a Literary, Scientific, and Philosophical
Society, and fancied ourselves the most learned philos in
existence. Every one had a great character assigned him,
suggested by some casual habit or affectation. One heavy fellow
drank an enormous quantity of tea; rolled in his armchair, talked
sententiously, pronounced dogmatically, and was considered a
second Dr. Johnson; another, who happened to be a curate, uttered
coarse jokes, wrote doggerel rhymes, and was the Swift of our
association. Thus we had also our Popes and Goldsmiths and
Addisons, and a blue-stocking lady, whose drawing-room we
frequented, who corresponded about nothing with all the world,
and wrote letters with the stiffness and formality of a printed
book, was cried up as another Mrs. Montagu. I was, by common
consent, the juvenile prodigy, the poetical youth, the great
genius, the pride and hope of the village, through whom it was to
become one day as celebrated as Stratford-on-Avon.
My father died and left me his blessing and his business. His
blessing brought no money into my pocket; and as to his business
it soon deserted me: for I was busy writing poetry, and could not
attend to law; and my clients, though they had great respect for
my talents, had no faith in a poetical attorney.
I lost my business therefore, spent my money, and finished my
poem. It was the Pleasures of Melancholy, and was cried up to the
skies by the whole circle. The Pleasures of Imagination, the
Pleasures of Hope, and the Pleasures of Memory, though each had
placed its author in the first rank of poets, were blank prose in
comparison. Our Mrs. Montagu would cry over it from beginning to
end. It was pronounced by all the members of the Literary,
Scientific, and Philosophical Society the greatest poem of the
age, and all anticipated the noise it would make in the great
world. There was not a doubt but the London booksellers would be
mad after it, and the only fear of my friends was, that I would
make a sacrifice by selling it too cheap.
Public-domain text, read in full here on John Shaqi.
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