It was the same kind of curiosity that Mrs. Deering, overhead in her
drug-scented room, lavished on her dog-eared novels and on the “society
notes” of the morning paper; but since Juliet’s horizon was not yet wide
enough to embrace these loftier objects, her interest was centered in
the anecdotes that Celeste and Suzanne brought back from the market
and the library. That these were not always of an edifying nature the
child’s artless prattle too often betrayed; but unhappily they occupied
her fancy to the complete exclusion of such nourishing items as dates
and dynasties, and the sources of the principal European rivers.
At length the crisis became so acute that poor Lizzie felt herself bound
to resign her charge or ask Mr. Deering’s intervention; and for Juliet’s
sake she chose the harder alternative. It _was_ hard to speak to him not
only because one hated still more to ascribe it to such vulgar causes,
but because one blushed to bring them to the notice of a spirit engaged
with higher things. Mr. Deering was very busy at that moment: he had a
new picture “on.” And Lizzie entered the studio with the flutter of one
profanely intruding on some sacred rite; she almost heard the rustle of
retreating wings as she approached.
And then--and then--how differently it had all turned out! Perhaps it
wouldn’t have, if she hadn’t been such a goose--she who so seldom cried,
so prided herself on a stoic control of her little twittering cageful of
“feelings.” But if she had cried, it was because he had looked at her so
kindly, so softly, and because she had nevertheless felt him so pained
and shamed by what she said. The pain, of course, lay for both in the
implication behind her words--in the one word they left unspoken.
If little Juliet was as she was, it was because of the mother
up-stairs--the mother who had given her child her futile impulses, and
grudged her the care that might have guided them. The wretched case so
obviously revolved in its own vicious circle that when Mr. Deering had
murmured, “Of course if my wife were not an invalid,” they both turned
with a simultaneous spring to the flagrant “bad example” of Celeste and
Suzanne, fastening on that with a mutual insistence that ended in his
crying out, “All the more, then, how can you leave her to them?”
“But if I do her no good?” Lizzie wailed; and it was then that,--when he
took her hand and assured her gently, “But you do, you do!”--it was then
that, in the traditional phrase, she “broke down,” and her conventional
protest quivered off into tears.
“You do _me_ good, at any rate--you make the house seem less like a
desert,” she heard him say; and the next moment she felt herself drawn
to him, and they kissed each other through her weeping.
Public-domain text, read in full here on John Shaqi.
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