Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
There had appeared first on the river-bank small sheds and shanties,
for workmen who seemed to be rather lengthily occupied in putting
up larger sheds and shanties. To the very last, when the factory
was finished, it was not easy for a traditional eye to distinguish
between what was temporary and what was permanent. It did not look as
if any of it could be permanent, if there was anything natural in the
nature of things, so to speak. But whatever was the name and nature
of that amorphous thing, it swelled and increased and even multiplied
without clear division; until there stood on the river-bank a great
black patchwork block of buildings terminating in a tall brick factory
chimney from which a stream of smoke mounted into the silent sky. A
heap of some sort of débris, scrapped iron and similar things, lay in
the foreground; and a broken bar, red with rust, had fallen on the spot
where the girl had been standing when she brought bluebells out of the
wood.
He did not leave his island. Rural and romantic and sedentary as he may
have seemed, he was not the son of an old revolutionist for nothing. It
was not altogether in vain that his father had called him Robert Owen
or that his friends had sometimes called him Robin Hood. Sometimes,
indeed, his soul sank within him with a mortal sickness that was
near to suicide, but more often he marched up and down in a militant
fashion, being delighted to see the tall wild-flowers waving on the
banks like flags within a stone’s-throw of all he hated, and muttering,
“Throw out the banners on the outward wall.” He had already, when the
estate of Marley Court was broken up for building, taken some steps
to establish himself on the island, had built a sort of hut there, in
which it was possible to picnic for considerable periods.
One morning when dawn was still radiant behind the dark factory and
light lay in a satin sheen upon the water, there crept out upon that
satin something like a thickening thread of a different colour and
material. It was a thin ribbon of some other liquid that did not mingle
with the water, but lay on top of it wavering like a worm; and Owen
Hood watched it as a man watches a snake. It looked like a snake,
having opalescent colours not without intrinsic beauty; but to him it
was a very symbolic snake; like the serpent that destroyed Eden. A few
days afterwards there were a score of snakes covering the surface;
little crawling rivers that moved on the river but did not mix with it,
being as alien as witch’s oils. Later there came darker liquids with no
pretensions to beauty, black and brown flakes of grease that floated
heavily.
Public-domain text, read in full here on John Shaqi.
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