Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
It was highly characteristic of Hood that to the last he was rather
hazy about the nature and purpose of the factory; and therefore about
the ingredients of the chemicals that were floating into the river;
beyond the fact that they were mostly of the oily sort and floated
on the water in flakes and lumps, and that something resembling
petrol seemed to predominate, used perhaps rather for power than
raw material. He had heard a rustic rumour that the enterprise was
devoted to hair-dye. It smelt rather like a soap factory. So far as he
ever understood it, he gathered that it was devoted to what might be
considered as a golden mean between hair-dye and soap, some kind of
new and highly hygienic cosmetics. There had been a yet more feverish
fashion in these things, since Professor Hake had written his great
book proving that cosmetics were of all things the most hygienic. And
Hood had seen many of the meadows of his childhood now brightened and
adorned by large notices inscribed “Why Grow Old?” with the portrait of
a young woman grinning in a regrettable manner. The appropriate name on
the notices was Bliss, and he gathered that it all had something to do
with the great factory.
Resolved to know a little more than this about the matter, he began
to make inquiries and complaints, and engaged in a correspondence
which ended in an actual interview with some of the principal persons
involved. The correspondence had gone on for a long time before
it came anywhere near to anything so natural as that. Indeed, the
correspondence for a long time was entirely on his side. For the big
businesses are quite as unbusinesslike as the Government departments;
they are no better in efficiency and much worse in manners. But he
obtained his interview at last, and it was with a sense of sour
amusement that he came face to face with four people whom he wanted to
meet.
Public-domain text, read in full here on John Shaqi.
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