He blends the grave and joyous in his conversation. He is neither a
jester nor a hermit; neither a misanthrope nor a fool. "Sorrowful, yet
alway rejoicing," he "weeps with them that weep, and rejoices with them
that rejoice." He is like the heavens; he has sunshine and cloud, each
in its season, seemly, appropriate, useful.
"Though life's valley be a vale of tears,
A brighter scene beyond that vale appears,
Whose glory, with a light that never fades,
Shoots between scattered rocks and opening shades;
And while it shows the land the soul desires,
The language of the land she seeks inspires.
Thus touched, the tongue receives a sacred cure
Of all that was absurd, profane, impure;
Held within modest bounds, the tide of speech
Pursues the course that Truth and Nature teach;
No longer labours merely to produce
The pomp of sound or tinkle without use;
Where'er it winds, the salutary stream,
Sprightly and fresh, enriches every theme,
While all the happy man possessed before,
The gift of nature, or the classic store,
Is made subservient to the grand design
For which heaven formed the faculty divine.
So, should an idiot, while at large he strays,
Find the sweet lyre on which an artist plays,
With rash and awkward force the chords he shakes,
And grins with wonder at the jar he makes;
But let the wise and well-instructed hand
Once take the shell beneath his just command:
In gentle sounds it seems as it complained
Of the rude injuries it late sustained,
Till, tuned at length to some immortal song,
It sounds Jehovah's name, and pours His praise along."
Such is my model talker. Another hand may have drawn a different one:
perhaps much better, _or_ perhaps much worse.
Some, in looking at him, may be disposed to think that he is too
antiquated, too precise, too spiritual, too scripturified; not enough
broadness, strength, liberty. Before this judgment is formed, let there
be a further examination of the entire character.
Public-domain text, read in full here on John Shaqi.
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