One of the great obstacles to the enjoyment of any art is the too
conscientious desire to enjoy. We are constantly hindered by the
conventional responsibility to experience over each classic the proper
emotion. The student is often so occupied in painful struggles to feel
that which he has been told to feel that he remains utterly cold and
unmoved. It is like going to some historic locality of noble suggestion,
where an officious guide moves the visitor from one precious spot to
another, saying in effect: "Here such an event happened. Now thrill.
Sixpence a thrill, please." For myself, being of a somewhat contumacious
character, I have never been able to thrill to order, even if a shilling
instead of sixpence were the price of the luxury; and in the same way I
am unable to follow out a prescribed set of emotions at the command of a
text-book on literature. Perhaps my temperament has made me unjustly
skeptical, but I have never been able to have much faith in the
genuineness of feelings carried on at the ordering of an emotional
programme. The student should let himself go. On the first reading, at
least, let what will happen so you are swept along in full enjoyment. It
is better to read with delight and misunderstand, than to plod forward
in wise stupidity, understanding all and comprehending nothing; gaining
the letter and failing utterly to achieve the spirit. The letter may be
attended to at any time; make sure first of the spirit. I do not mean
that one is to read carelessly; but I do mean that one is to read
enthusiastically, joyously, and, if it be possible, even passionately.
The best test of the completeness with which one has entered into the
heart of a book is just this keenness of enjoyment. Fully to share the
mood of the author is to share something of the delight of creation. It
is as if in the mind of the reader this work of beauty and of immortal
significance was springing into being. This enjoyment, moreover,
increases with familiarity. If you find that you do not care to take up
again a masterpiece because you have read it once, you may pretty safely
conclude that you have never truly read it at all. You have been over
it, it may be, and gratified some superficial curiosity; but you have
never got to its heart. Does one claim to be won to the heart of a
friend and yet to be willing never to see that friend more?
Public-domain text, read in full here on John Shaqi.
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