She exposed herself to a pained protest: "Oh surely not; not Bach; I do
not come for my Bach to Okraska. She belongs too definitely to the
romantics to grasp Bach. Beethoven, if you will; she may give us the
Appassionata superbly; but not Bach; she lacks self-effacement."
"Liszt said that no one played Bach as she did."
Authority did not serve her. "Liszt may have said it; Brahms would not
have;" was the rejoinder.
Down in the orchestra chairs the audience was roughly to be divided into
the technical and the personal devotees; those who chose seats from
which they could dwell upon Madame Okraska's full face over the shining
surfaces of the piano or upon her profile from the side; and those who,
from behind her back, were dedicated to the study of her magical hands.
"I do hope," said a girl in the centre of the front row of chairs, a
place of dizzy joy, for one might almost touch the goddess as she sat at
the piano, "I do hope she's not getting fat. Someone said they heard she
was. I never want to see her again if she gets fat. It would be too
awful."
The girl with her conjectured sadly that Madame Okraska must be well
over forty.
"I beg your pardon," a massive lady dressed in an embroidered sack-like
garment, and wearing many strings of iridescent shells around her
throat, leaned forward from behind to say: "She is forty-six; I happen
to know; a friend of mine has met Madame Okraska's secretary. Forty-six;
but she keeps her beauty wonderfully; her figure is quite beautiful."
An element of personal excitement was evident in the people who sat in
these nearest chairs; it constituted a bond, though by no means a
friendly one. Emulation, the irrepressible desire to impart knowledge,
broke down normal barriers. The massive lady was slightly flushed and
her manner almost menacing. Her information was received with a vague,
half resentful murmur.
"She looks younger," she continued, while her listeners gave her an
unwilling yet alert attention. "It is extraordinary how she retains her
youth. But it tells, it tells, the tragic life; one sees it in her eyes
and lips."
The first girl now put forward with resolution her pawn of knowledge.
"It has been tragic, hasn't it. The dreadful man she was married to by
her relations when she was hardly more than a child, and the death of
her second husband. He was the Baron von Marwitz; her real name is von
Marwitz; Okraska is her maiden name. He was drowned in saving her life,
you know."
"The Baron von Marwitz was drowned no one knows how; he was found
drowned; she found his body. She went into a convent after his death."
"A convent? I was reading a life of her in a magazine the other day and
nothing was said about a convent."
Public-domain text, read in full here on John Shaqi.
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