The massive lady smiled tolerantly: "Nothing would be. She has a horror
of publicity. Yes, she is a mystic as well as an artist; she only
resigned the religious life because of what she felt to be her duty to
her adopted daughter. One sees the mystical side in her face and hears
it in her music."
Madame Okraska was one of those about whose footsteps legends rise, and
legend could add little to the romantic facts of her life;--the poverty
of her youth; her _début_ as a child prodigy at Warsaw and the sudden
fame that had followed it; the coronets that had been laid at her feet;
her private tragedies, cosmopolitan friendships, her scholarship,
caprices and generosities. She had been the Egeria, smiling in mystery,
of half a dozen famous men. And it was as satisfactory to the devotee to
hear that she always wore white and drank coffee for her breakfast, as
that Rubinstein and Liszt had blessed her and Leschetitsky said that she
had nothing to learn. Her very origin belonged to the realm of romantic
fiction. Her father, a Polish music-master in New Orleans, had run away
with his pupil, a beautiful Spanish girl of a good Creole family. Their
child had been born in Cracow while the Austrians were bombarding it in
1848.
The lights were now all up and the stalls filling. Ladies and gentlemen
from the suburbs, over early, were the first comers; eager schoolgirls
marshalled by governesses; scrupulous students with music under their
arms, and, finally, the rustling, shining, chattering crowd of
fashionable London.
The massive lady had by now her little audience, cowed, if still
slightly sulky, well in hand. She pointed out each notability to them,
and indirectly, to all her neighbours. The Duchess of Bannister and Lady
Champney, the famous beauty; the Prime Minister, whom the girls could
have recognized for themselves, and Sir Alliston Compton, the poet. Had
they read his sonnet to Madame Okraska, last year, in the "Fortnightly"?
They had not. "I wonder who that odd looking girl is with him and the
old lady?" one of them ventured.
"A little grand-daughter, a little niece," said the massive lady, who
did not know. "Poor Sir Alliston's wife is in a lunatic asylum; isn't it
a melancholy head?"
But now one of her listeners, a lady also in the front row, leaned
forward to say hurriedly and deprecatingly, her face suffused with
shyness: "That nice young girl is Madame Okraska's adopted daughter. The
old lady is Mrs. Forrester, Madame Okraska's great friend; my
sister-in-law was for many years a governess in her family, and that is
how I come to know."
All those who had heard her turned their eyes upon the young girl, who,
in an old-fashioned white cloak, with a collar of swansdown turned up
round her fair hair, was taking her place with her companions in the
front row of the orchestra-stalls. Even the massive lady was rapt away
to silence.
Public-domain text, read in full here on John Shaqi.
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